For those unfamiliar, this is my annual post where I put politics and label/band relationships aside. There may be a few weeks left this year, but I have received essentially all of the unreleased discs for the year I’m interested in. I encourage you to take your time with sampling all of the music below. I guarantee you missed a few gems along the way. Hearing your feedback on the bands you discover is what makes this post worth the agony of putting it together. Hell, it's the only reason I do it after two decades.
DISCLAIMER:
a. This list caters to my *personal* taste, not the full spectrum of metal genres nor every artist within a genre. Hell, it's not even all metal. Furthermore, I realize there are some major players and sacred cows missing that will send a few into seizures, piss some off, and cause others to question my sanity. Somehow, I will survive.
b. I do not rank albums based on pure musical instrumentation ability or sonic clarity alone. While I fully believe technical chops demonstrate musical superiority in many aspects, I also think it is just as hard to write a *good* hook that draws a listener back again and again. Furthermore, a passionate vocal delivery that adds emotional depth to poetic lyrics wins out over power/range every single time.
c. There is no right or wrong to this list. Music is a subjective listening experience. My opinion is no more valid than yours if we are on opposite sides of the fence. I'm just fortunate enough to be in a position to have my thoughts read by many.
d. I do not listen to every single release. If your favorite disc did not make the list, I may simply may not have it…OR I could have thought it sucked ass.
e. Keep in mind a highly ranked disc in any specific genre may not make the list. For example, the 10th best power metal disc of the year is not there. It’s still a good record, but this is a Top 50 list, not a Top 63+ list. I make no secret of leaning towards prog as well.
f. I don't include EPs in the rankings. If every band on the list removed the bottom 5 songs of their full-length release, then it would be a level playing field for all releases.
g. You won't find poetry, scientific analysis, or epic thoughts here. You just need to know what they sound like before your ADHD ass sees a squirrel.
Without further ado…
50. Riverwood- Shadows & Flames: They bill themselves as Egyptian folk metal, but it veers into more of middle-Eastern symphonic/cinematic sound more often than not. There are plenty of nice proggish moments courtesy of their traditional instrumentation and melodramatic build-ups. It's a no brainer for fans of Orphaned Land, Myrath, and even the chugging side of Symphony X.
49. Jan Rivera- Existential Paranoia: Puerto Rican guitar maestro serves up delicious and tasty prog-fusion instrumentals. The technicality is there, but the melodic grooving & riffing wrapped around those chops are what impresses the most.
48. Legions of the Night- Hell: Henning Basse and the band's debut "Sorrow is the Cure," was a love letter to Savatage. The new album follows the same basic framework, but you can hear the band injecting their own power metal style into the formula. If I'm being honest, I'd be fine with them sticking with the Tage cloning of the first. Either way, there isn't enough Savatage sound in this world so it goes on the list.
47. BlackBraid- BlackBraid: I am not trve & kvlt. Hell, I don't even like most black metal for the most part. However, every once in a red moon, an album in the genre comes along and hooks me. BlackBraid is an indigenous solo project out of the Adirondacks which uses Native American history and stories to bludgeon the listener. It's a nice change of pace from the frost-bitten Pagan and Viking cliches.
46. Oceans of Slumber- Starlight and Ash: The new album is a wonderful evolution from their proggy doom sound into what feels like southern Gothic on the edge of the blues. Cammie's sultry voice sets the table perfectly. You can feel the heat rising and see the sweat dripping as the album closes. Some fans may be disappointed with their move away from metal, but I'm all in.
45. My Sleeping Karma- Atma: Instrumental stoner & psych metal employing a more somber atmosphere than you would expect for the genre. Their days of distorted, fuzzy guitar tones are long gone, leaving the listener with a hypnotic aural hook.
44. Queensryche- Digital Noise Alliance: My battle with nostalgia rages every year. On one hand, I want the classic sound. On the other, I like the fresh air of the new era. Todd's vocals continue to evolve and I find him easily identifiable on his own now. With this release, it seems the band attempted to cater to both sides of the coin. I'm just not sure if I'm ready to commit one way or the other…even after several quality albums of the new incarnation.
43. Dynazty- Final Advent: Their streak of polished, melodic, and hook-laden metal continues. They don't reinvent the wheel and I sure as hell don't want them to. I just want to crank up the riffs, hear the drums pound, and enjoy Nil's elite vocal performance.
42. Charles Griffiths- Tiktaalika: If you made up your mind after only hearing 1-2 songs, you made a mistake. Charles brings a multitude of styles to his debut solo album. From thrash & djent to fusion & Hakenesque moments, it is all there. Don't mistake this for an instrumental wankfest either as numerous songs have guests vocalists such as Tommy Rogers of Between the Buried & Me. Variety is the spice of life and of "Tiktaalika."
41. Threshold- Dividing Lines: One of those late arriving albums which perhaps would have ranked higher with repeated spins & absorption. I hear this as an extenuation of Shire, but with a lighter tone. Perhaps the 80's synths tones on a few songs left more of an impression than deserved. Glynn continues to shine on his return. I'd be remiss not to mention the bass production here as well. My woofer was crying after it was over.
40. Wind Rose- Warfront: Epic "dwarven" metal with the most catchy bridges/choruses in power today. These gentlemen play to their strengths and don't stray far from their successful formula. You just don't argue with millions of views on YouTube. It's a refreshing indulgence in a genre that has stagnated in recent years. Grab your axe, curse an elf, and drown a mead.
39. Philosophobia- Philosophobia: The band's debut embraces the old warm and melodic prog sound many of us grew up on in the 90's. The standard formula is there: DT style interludes, vocal theatrics, 5-10 minute songs, etc. Blind buy for all you senior citizen fans of the "traditional" genre. Damian Wilson guests on one track.
38. Seventh Wonder- The Testament: Listening to this is like putting your favorite slippers on after a rough day at work. It is relaxing, soothing, and you know what to expect. This the sound that made you fall in love with the band in the first place. "Under a Clear Blue Sky" is the runaway winner on the album. I just prefer the lads to push me a bit further.
37. Karl Sanders- Saurian Apocalypse: Nile's main man has returned with his third mystical Egyptian trip through the afterlife, complete with pounding tribal percussion, sitar melodies, and a new-age vibe. Fans of instrumental world music need to take heed. Those wanting death metal have no business here.
36. Silent Skies- Nectar: Hauntingly beautiful and sorrowful melancholia courtesy of Vik & Tom. These two are a match made in the damp gray with their ability to meld a thick and atmosphere with an remorseful tone. The piano melodies are on another level and Tom still deliverers an emotional punch as only he can. It's a definite winter album on a rainy day for me.
35. Arena- The Theory of Molecular Inheritance: Arena have shifted styles slightly over the years pending personnel. That shift is gigantic with this release. The neo-prog styling of "The Visitor" are long gone as the key are no longer the focus. I never thought I'd say that about a Clive Nolan release. Damian Wilson has taken over the vocals and he is pushed so far out front it astonishes. This is some of the best work of his storied career.
34. Allen/Olzon- Army of Dreamers: Magnus Karlsson continues his run of symphonic metal featuring two of my all-time favorite vocalists (Annette & Russell). Musically, it's the same thing you have heard for years from Magnus. The big difference this time is the interplay of the vocalists on every song as opposed to only 1-2 tracks. I hope this is a trend, not exception.
33. Shaman- Rescue: Wonderful and moving tribute to their fallen brother, Andre Matos. The ethnic touches, speedy riffs, piano interludes, and sweeping crescendos…all hearken back to his influence. In a year where quality power metal was sparse, this was a winner.
32. Pymlico- Supermassive: While classified as "instrumental prog," one should not expect complex polyrhythms and technical notes. My best description is take the warmth and tone of Poets of the Fall's "Rogue" and interject it with the 80's pop-styling of Genesis. The leads warmly soar with an emotional feel, not complex wizardry. The sax adds a nice touch of jazz along the way as well.
31. Obsidious- Iconic: And on the exact opposite end of the spectrum as Pymlico, Obsidious released the progressive death/technical metal album of the year. Those with an aversion to manly vocals can relax the sphincter…a bit. There are plenty of clean vocals throughout. Otherwise, heavy as hell and insane chops are on full display.
30. Kreator- Hate Uber Alles: Kreator is Kreator and remain the best thrash band on the planet. That said, this is a bit of a departure for them. While the frantic riffing still abounds, they have experimented with female vocals, Teutonic power metal injections, and even more anthemic choruses than usual. Does it work? Yes, for the most part. It's still Kreator. It's just not "Kreator." That is still good enough for me.
29. Anime Morte- Serpents in the Field of Sleep: Cinematic/instrumental prog which could be the soundtrack for a sophisticated horror film or dark thriller. The thick atmosphere created from the mellotrons and synths is both lush and elegant. The rest just gives it an overall shadowy and foreboding vibe.
28. Sarayasign- Throne of Gold: The concept album from these melodic rockers was one of the biggest surprises of the year for me. I stumbled across them by pure accident while falling down a Youtube hole. That big guitar hook on the video got my attention and then the vocals…the vocals….holy shit. The man has pipes and tone similar to Kent Hilli of Perfect Plan. The rest of the album isn't quite on the level of the video below, but what a killer debut.
27. Lalu- Paint the Sky: Keyboardist extraordinaire, Vivien Lalu, has released an unapologetic and wonderfully charming fanboy love letter to Yes. Damian Wilson is the absolute perfect choice on vocals to convey the magic of Jon Anderson's storytelling as well.
26. Stratovarius- Survive: After seven years, one of the original patrons of power metal have released a new album full of energy and freshness. The speed, the anthems, Timo's soaring vocals…all of it is on par with some of their best material. "Voice of Thunder" is a kick-ass epic that surprises with some delicious proggy moments as well. Old fans that left the genre may want to return to the fold and give this a spin.
25. Soilwork- Övergivenheten: Speaking of veterans who have returned with a bang, Soilwork's latest has started the full merge with the Night Flight Orchestra sound. While there are plenty of brutal & heavy moments, those are far less than the insanely catchy melodies and radio-friendly chorus work the NFO side brings. That's a huge win for me and huge loss for those still whining for "Steelbath Suicide" Part 2 after two damn decades.
24. Unprocessed- Gold: This one took me longer to win me over than any other on the list. I unabashedly loved the debut and wanted more of that proggy djent and complex musicianship. This time out, they have opted for a far more mellow and modern approach with a touch of electronica. Fans of of Vola and the melodies of Caligula's Horse should be all over this. The next generation of prog carries on, whether you old farts like it or not.
23. Star One- Revel in Time: After the hugely disappointing "Transitus," Arjen returns with a nice kick in the ass. No surprises, just better and heavier songs. The vocal selections are always fascinating, but the big winner here is Roy Khan and Tony Martin on the same track. That's just next level for this fanboy of both.
22. High Castle Teleorkestra- The Egg that Never Opened: The clear winner of the most fucked-up, LSD-experimental, and avante-garde album of the year. Feel free to pick any musical style, add it to the blender, and then throw it against the wall to see if it sticks. Most of the time, it does. And when it doesn't, it's still a spectacular slide down the wall. Balkan folk? Check. Jazz? Check. Classical? Check. Prog? Check. German marching songs? Check. Accordion shredding? Double check. It's the alien love child of Secret Chiefs and Mr. Bungle.
21. Parius- The Signal Heard Throughout Space: Evolving from the melodic death styling of "The Eldrith Realm" album, the band has taken flight with a progressive space rock opera. Before you make any assumptions when I say "rock opera," the prog style runs the gambit here: Between the Buried & M, Dream Theater, bits of Haken & Opeth, 70's prog rock classics, etc. With the right amount of luck, they have a shot at being the next "it" band from the States in the prog community.
20. Giant- Shifting Time: I make no apology for grabbing hold of this round of nostalgia and not letting go. Giant is one of my all time favorite bands and I'd take their first two albums to a desert island with me. Despite only a few guest spots by original icon, Dan Huff, the album still soars with infectious melodies and thanks Kent Helli taking over vocals. He remains the best current AOR vocalist on the planet. Nothing new to point out otherwise here…just great new tunes and memories.
19. Battle Beast- Circus of Doom: Noora fanboy, here. I adore her gritty vocals. It gives their symphonic and bouncy metal just the right amount of edge to overcome the cheese factor. It wouldn't hurt my feelings if they dropped the Abba moments, but I understand it is part of their appeal. Regardless, this is a collection of strong, catchy songs.
18. Wilderun- Epigone: Somebody threw out the playbook for this one. It's not often you start out with a 5 minute folksy ballad before settling before into the the heavier style you are known for. The contrast between between the earthy melodies and the heavier, epic moments have been been amplified tenfold. You need to invest a bit of time here to fully appreciate what has been accomplished.
17. Zeal & Ardor- Zeal & Ardor: They have one of the most unique, yet accessible, sounds in rock & metal today. While not as chaotic as one would expect with all the styles on display, the music moves from multiple genres with ease. Examples are bluesy gospel grooves with raw black metal and blistering rock veering off into Kornesque moments. The album just never sits still, yet leaves an imprint as it defies a genre classification. Those that enjoy adventurous music without all the prog pageantry should be on board.
16. Birth- Born: Retro heavy/psychedelic progressive rock that just feels authentic compared to most modern pretenders….and hell some of those old bastard bands trying to relive the glory days as well. Fans of early King Crimson and ELP will feel right at home here.
15. Polyphia- Remember That You Will Die: Next gen guitar heroes return with their most diverse collection yet. However, be warned the diversity means leaving the "metal" field further & further behind. They are now blending their mind-blowing rhythms & chops with EDM, pop, vocals, and even some hip hop elements. It's going to bring them further exposure to more than just you neanderthals.
14. Electric Callboy- Tekkno: The most *FUN* I had all year with an album. It's insanely catchy as hell metalcore filled with humorous punches throughout (especially emphasized in their awesome videos). Don’t over think it. Just bounce around the house and scream along. They have gone from small clubs to headlining small arenas faster than any band in recent memory.
13. Disillusion- Ayam: Progressive death metal that is actually more "prog" than death if you will. However, the ironic part of that last claim is it does not have that polished and safe approach when you think traditional prog. Gruff vocals, prog rock vibes, blast beats, horns, intricate solos, mixed vocal styles…it all adds up to a truly dark and edgy release with crossover appeal between genre fans.
12. Ghost- Impera: Full disclosure: I have gone from thinking they were a joke to recognizing Tobias's amazing song-writing talent. Throw out the imagery and you still have fantastic throwback rock tunes that continue to evoke Blue Oyster Cult. I never saw an arena headliner coming out of them, but here we are.
11. Blind Guardian- The God Machine: A welcome return to their earlier, heavier, and stripped down roots after years of pushing the over-the-top, bombastic orchestral layers & harmonies. Kudos to the band for the swerve. That being said, Hansi still sounds majestic as fuck singing about nerd novels.
10. The Halo Effect- Days of the Lost: Welcome back," Gothenburg Sound." We have missed the hell out of you. "Colony" era In Flames meets Dark Tranquility. I'm so ready to headbang to "Shadowminds" at the fest.
9. Amorphis- Halo: The band has developed their signature sound and become a well-oiled machine since "Eclipse." The new album continues with more of the same of the past two albums with heaviness, a touch of orchestrations, and their hook laden, melancholic delivery. Not sure what it is specifically this time around compare to the past, but this album just sound so damn smooth.
8. Lorna Shore- Pain Remains: Let's be honest. This is the *it* band right now in underground metal. Their massive YouTube exposure (due in part to the extreme inferno vocals of Will Ramos) has attracted every extreme metalhead, hipster, and curious onlooker. They sold-out an entire U.S. tour before it even started with the album barely out. That's incredible and unheard of for a deathcore band. The music is crushing and highly intricate, culminating in the final three-part title track that clocks in at 20 minutes full of remorse, despair, and emotional pain (read the damn lyrics you lazy bastards).
7. Porcupine Tree- Closure/Continuation: This is an extremely difficult album for me to truly describe despite the obvious prog rock categorization. The essence of the band's soul is still here, but there is just a different vibe (70/s?) injected at times. I'm going to cheat and defer to Sonic Perspectives for a fantastic review: https://www.sonicperspectives.com/album-reviews/porcupine-tree-closure-continuation
6. Michael Romeo- War of the Worlds, Part II: I think the same thing as everyone else. It's basically a Symphony X album minus the lush orchestrations. The incredible Dino Jelusick takes over for Russ on vocals with no drop off. That is more than good enough for me. I'll take what I can get between the centuries it takes for a new Symphony X release.
5. Shinedown- Planet Zero: Shinedown's heaviest and arguably best album since "The Sound of Madness" is a lyrically insightful (if not politically charged) album wrapped up in a science fiction concept. From the ferocious opening track to the arena anthems to radio-friendly ballads, it's a true return to what made them arguably the best mainstream rock band on the planet. That and the fact that Brent can sing his ass off.
4. Tears for Fears- The Tipping Point: I loved the description I read of this as "elegant prog pop." It's an emotionally charged, mature album full of love, loss, and ultimately hope that I fully connect with. Both Roland and Dean convey those emotions in an almost spiritual manner with wizened vocals. A true return to form and beautiful album.
3. Devin Townsend- Lightwork: Possibly the most polarizing ranking on the list. Some folks simply prefer the heavy, chaotic Devy. I'm on the flip side in that I find him at his lyrical and hook-laden best when he lightens the load so to speak. This album fits comfortably into the accessible side of his catalog along side Transcendence. It's Devin's hug on a rainy day while he tells you to relax, take a deep breath, and you will be okay. He is so authentic with his words. I played the living shit out of "Call of the Void" over the past month.
2. Evergrey- A Heartless Portrait (The Orphean Testament): Ever since "Hymns for the Broken," the band has been on steady roll of fantastic releases. The streak remains intact. No need for me to go into the "Evergrey" sound or detail after writing 12 ass-kissing previous reviews over my 20+ year friendship and fanboy connection with the band. Everyone reading this list knows I love everything about the band's music and vocals. I look forward to Tom bitching me out for not ranking it #1.
1. Poets of the Fall- Ghostlight: I have struggled like hell to write anything about this album. My words simply do not match the emotional intensity with which I connect with to it. The final addition of the pop-tinged album trilogy is stunningly beautiful and breathtaking in both scope & melody. I find Marko's command of the English language and ability to cloak melodies in ambiguous metaphors and symbolism beyond any lyricist since Bernie Taupin. Furthermore, it is his finest vocal performance to date- full of clarity, nuances, emotion, power, & honestly…sugary-sweet at times. The rest of the band is in fine, if not intentionally restrained, form as well. Ollie's solos are particularly ethereal and soaring throughout. From the opening bounce of "Firedancer" to the serene romanticism of "Lust for Life," to the grand, sweeping cinematic finale of "Beyond the Horizon" (which evokes memories of James Bond themes of the past), I kept the chills throughout. This is a masterpiece of songwriting, performance, and audiophile production. It is my album of the year.
There are those who have become lost in the darkness
And found hope.
Those who have surrendered to the fires of tribulation
And been reborn.
Those who can illuminate the history of our time to come.
We call them "ghostlights."
**The epic crescendo of this song is everything I want and love in music.**
DISCLAIMER:
a. This list caters to my *personal* taste, not the full spectrum of metal genres nor every artist within a genre. Hell, it's not even all metal. Furthermore, I realize there are some major players and sacred cows missing that will send a few into seizures, piss some off, and cause others to question my sanity. Somehow, I will survive.
b. I do not rank albums based on pure musical instrumentation ability or sonic clarity alone. While I fully believe technical chops demonstrate musical superiority in many aspects, I also think it is just as hard to write a *good* hook that draws a listener back again and again. Furthermore, a passionate vocal delivery that adds emotional depth to poetic lyrics wins out over power/range every single time.
c. There is no right or wrong to this list. Music is a subjective listening experience. My opinion is no more valid than yours if we are on opposite sides of the fence. I'm just fortunate enough to be in a position to have my thoughts read by many.
d. I do not listen to every single release. If your favorite disc did not make the list, I may simply may not have it…OR I could have thought it sucked ass.
e. Keep in mind a highly ranked disc in any specific genre may not make the list. For example, the 10th best power metal disc of the year is not there. It’s still a good record, but this is a Top 50 list, not a Top 63+ list. I make no secret of leaning towards prog as well.
f. I don't include EPs in the rankings. If every band on the list removed the bottom 5 songs of their full-length release, then it would be a level playing field for all releases.
g. You won't find poetry, scientific analysis, or epic thoughts here. You just need to know what they sound like before your ADHD ass sees a squirrel.
Without further ado…
50. Riverwood- Shadows & Flames: They bill themselves as Egyptian folk metal, but it veers into more of middle-Eastern symphonic/cinematic sound more often than not. There are plenty of nice proggish moments courtesy of their traditional instrumentation and melodramatic build-ups. It's a no brainer for fans of Orphaned Land, Myrath, and even the chugging side of Symphony X.
49. Jan Rivera- Existential Paranoia: Puerto Rican guitar maestro serves up delicious and tasty prog-fusion instrumentals. The technicality is there, but the melodic grooving & riffing wrapped around those chops are what impresses the most.
48. Legions of the Night- Hell: Henning Basse and the band's debut "Sorrow is the Cure," was a love letter to Savatage. The new album follows the same basic framework, but you can hear the band injecting their own power metal style into the formula. If I'm being honest, I'd be fine with them sticking with the Tage cloning of the first. Either way, there isn't enough Savatage sound in this world so it goes on the list.
47. BlackBraid- BlackBraid: I am not trve & kvlt. Hell, I don't even like most black metal for the most part. However, every once in a red moon, an album in the genre comes along and hooks me. BlackBraid is an indigenous solo project out of the Adirondacks which uses Native American history and stories to bludgeon the listener. It's a nice change of pace from the frost-bitten Pagan and Viking cliches.
46. Oceans of Slumber- Starlight and Ash: The new album is a wonderful evolution from their proggy doom sound into what feels like southern Gothic on the edge of the blues. Cammie's sultry voice sets the table perfectly. You can feel the heat rising and see the sweat dripping as the album closes. Some fans may be disappointed with their move away from metal, but I'm all in.
45. My Sleeping Karma- Atma: Instrumental stoner & psych metal employing a more somber atmosphere than you would expect for the genre. Their days of distorted, fuzzy guitar tones are long gone, leaving the listener with a hypnotic aural hook.
44. Queensryche- Digital Noise Alliance: My battle with nostalgia rages every year. On one hand, I want the classic sound. On the other, I like the fresh air of the new era. Todd's vocals continue to evolve and I find him easily identifiable on his own now. With this release, it seems the band attempted to cater to both sides of the coin. I'm just not sure if I'm ready to commit one way or the other…even after several quality albums of the new incarnation.
43. Dynazty- Final Advent: Their streak of polished, melodic, and hook-laden metal continues. They don't reinvent the wheel and I sure as hell don't want them to. I just want to crank up the riffs, hear the drums pound, and enjoy Nil's elite vocal performance.
42. Charles Griffiths- Tiktaalika: If you made up your mind after only hearing 1-2 songs, you made a mistake. Charles brings a multitude of styles to his debut solo album. From thrash & djent to fusion & Hakenesque moments, it is all there. Don't mistake this for an instrumental wankfest either as numerous songs have guests vocalists such as Tommy Rogers of Between the Buried & Me. Variety is the spice of life and of "Tiktaalika."
41. Threshold- Dividing Lines: One of those late arriving albums which perhaps would have ranked higher with repeated spins & absorption. I hear this as an extenuation of Shire, but with a lighter tone. Perhaps the 80's synths tones on a few songs left more of an impression than deserved. Glynn continues to shine on his return. I'd be remiss not to mention the bass production here as well. My woofer was crying after it was over.
40. Wind Rose- Warfront: Epic "dwarven" metal with the most catchy bridges/choruses in power today. These gentlemen play to their strengths and don't stray far from their successful formula. You just don't argue with millions of views on YouTube. It's a refreshing indulgence in a genre that has stagnated in recent years. Grab your axe, curse an elf, and drown a mead.
39. Philosophobia- Philosophobia: The band's debut embraces the old warm and melodic prog sound many of us grew up on in the 90's. The standard formula is there: DT style interludes, vocal theatrics, 5-10 minute songs, etc. Blind buy for all you senior citizen fans of the "traditional" genre. Damian Wilson guests on one track.
38. Seventh Wonder- The Testament: Listening to this is like putting your favorite slippers on after a rough day at work. It is relaxing, soothing, and you know what to expect. This the sound that made you fall in love with the band in the first place. "Under a Clear Blue Sky" is the runaway winner on the album. I just prefer the lads to push me a bit further.
37. Karl Sanders- Saurian Apocalypse: Nile's main man has returned with his third mystical Egyptian trip through the afterlife, complete with pounding tribal percussion, sitar melodies, and a new-age vibe. Fans of instrumental world music need to take heed. Those wanting death metal have no business here.
36. Silent Skies- Nectar: Hauntingly beautiful and sorrowful melancholia courtesy of Vik & Tom. These two are a match made in the damp gray with their ability to meld a thick and atmosphere with an remorseful tone. The piano melodies are on another level and Tom still deliverers an emotional punch as only he can. It's a definite winter album on a rainy day for me.
35. Arena- The Theory of Molecular Inheritance: Arena have shifted styles slightly over the years pending personnel. That shift is gigantic with this release. The neo-prog styling of "The Visitor" are long gone as the key are no longer the focus. I never thought I'd say that about a Clive Nolan release. Damian Wilson has taken over the vocals and he is pushed so far out front it astonishes. This is some of the best work of his storied career.
34. Allen/Olzon- Army of Dreamers: Magnus Karlsson continues his run of symphonic metal featuring two of my all-time favorite vocalists (Annette & Russell). Musically, it's the same thing you have heard for years from Magnus. The big difference this time is the interplay of the vocalists on every song as opposed to only 1-2 tracks. I hope this is a trend, not exception.
33. Shaman- Rescue: Wonderful and moving tribute to their fallen brother, Andre Matos. The ethnic touches, speedy riffs, piano interludes, and sweeping crescendos…all hearken back to his influence. In a year where quality power metal was sparse, this was a winner.
32. Pymlico- Supermassive: While classified as "instrumental prog," one should not expect complex polyrhythms and technical notes. My best description is take the warmth and tone of Poets of the Fall's "Rogue" and interject it with the 80's pop-styling of Genesis. The leads warmly soar with an emotional feel, not complex wizardry. The sax adds a nice touch of jazz along the way as well.
31. Obsidious- Iconic: And on the exact opposite end of the spectrum as Pymlico, Obsidious released the progressive death/technical metal album of the year. Those with an aversion to manly vocals can relax the sphincter…a bit. There are plenty of clean vocals throughout. Otherwise, heavy as hell and insane chops are on full display.
30. Kreator- Hate Uber Alles: Kreator is Kreator and remain the best thrash band on the planet. That said, this is a bit of a departure for them. While the frantic riffing still abounds, they have experimented with female vocals, Teutonic power metal injections, and even more anthemic choruses than usual. Does it work? Yes, for the most part. It's still Kreator. It's just not "Kreator." That is still good enough for me.
29. Anime Morte- Serpents in the Field of Sleep: Cinematic/instrumental prog which could be the soundtrack for a sophisticated horror film or dark thriller. The thick atmosphere created from the mellotrons and synths is both lush and elegant. The rest just gives it an overall shadowy and foreboding vibe.
28. Sarayasign- Throne of Gold: The concept album from these melodic rockers was one of the biggest surprises of the year for me. I stumbled across them by pure accident while falling down a Youtube hole. That big guitar hook on the video got my attention and then the vocals…the vocals….holy shit. The man has pipes and tone similar to Kent Hilli of Perfect Plan. The rest of the album isn't quite on the level of the video below, but what a killer debut.
27. Lalu- Paint the Sky: Keyboardist extraordinaire, Vivien Lalu, has released an unapologetic and wonderfully charming fanboy love letter to Yes. Damian Wilson is the absolute perfect choice on vocals to convey the magic of Jon Anderson's storytelling as well.
26. Stratovarius- Survive: After seven years, one of the original patrons of power metal have released a new album full of energy and freshness. The speed, the anthems, Timo's soaring vocals…all of it is on par with some of their best material. "Voice of Thunder" is a kick-ass epic that surprises with some delicious proggy moments as well. Old fans that left the genre may want to return to the fold and give this a spin.
25. Soilwork- Övergivenheten: Speaking of veterans who have returned with a bang, Soilwork's latest has started the full merge with the Night Flight Orchestra sound. While there are plenty of brutal & heavy moments, those are far less than the insanely catchy melodies and radio-friendly chorus work the NFO side brings. That's a huge win for me and huge loss for those still whining for "Steelbath Suicide" Part 2 after two damn decades.
24. Unprocessed- Gold: This one took me longer to win me over than any other on the list. I unabashedly loved the debut and wanted more of that proggy djent and complex musicianship. This time out, they have opted for a far more mellow and modern approach with a touch of electronica. Fans of of Vola and the melodies of Caligula's Horse should be all over this. The next generation of prog carries on, whether you old farts like it or not.
23. Star One- Revel in Time: After the hugely disappointing "Transitus," Arjen returns with a nice kick in the ass. No surprises, just better and heavier songs. The vocal selections are always fascinating, but the big winner here is Roy Khan and Tony Martin on the same track. That's just next level for this fanboy of both.
22. High Castle Teleorkestra- The Egg that Never Opened: The clear winner of the most fucked-up, LSD-experimental, and avante-garde album of the year. Feel free to pick any musical style, add it to the blender, and then throw it against the wall to see if it sticks. Most of the time, it does. And when it doesn't, it's still a spectacular slide down the wall. Balkan folk? Check. Jazz? Check. Classical? Check. Prog? Check. German marching songs? Check. Accordion shredding? Double check. It's the alien love child of Secret Chiefs and Mr. Bungle.
21. Parius- The Signal Heard Throughout Space: Evolving from the melodic death styling of "The Eldrith Realm" album, the band has taken flight with a progressive space rock opera. Before you make any assumptions when I say "rock opera," the prog style runs the gambit here: Between the Buried & M, Dream Theater, bits of Haken & Opeth, 70's prog rock classics, etc. With the right amount of luck, they have a shot at being the next "it" band from the States in the prog community.
20. Giant- Shifting Time: I make no apology for grabbing hold of this round of nostalgia and not letting go. Giant is one of my all time favorite bands and I'd take their first two albums to a desert island with me. Despite only a few guest spots by original icon, Dan Huff, the album still soars with infectious melodies and thanks Kent Helli taking over vocals. He remains the best current AOR vocalist on the planet. Nothing new to point out otherwise here…just great new tunes and memories.
19. Battle Beast- Circus of Doom: Noora fanboy, here. I adore her gritty vocals. It gives their symphonic and bouncy metal just the right amount of edge to overcome the cheese factor. It wouldn't hurt my feelings if they dropped the Abba moments, but I understand it is part of their appeal. Regardless, this is a collection of strong, catchy songs.
18. Wilderun- Epigone: Somebody threw out the playbook for this one. It's not often you start out with a 5 minute folksy ballad before settling before into the the heavier style you are known for. The contrast between between the earthy melodies and the heavier, epic moments have been been amplified tenfold. You need to invest a bit of time here to fully appreciate what has been accomplished.
17. Zeal & Ardor- Zeal & Ardor: They have one of the most unique, yet accessible, sounds in rock & metal today. While not as chaotic as one would expect with all the styles on display, the music moves from multiple genres with ease. Examples are bluesy gospel grooves with raw black metal and blistering rock veering off into Kornesque moments. The album just never sits still, yet leaves an imprint as it defies a genre classification. Those that enjoy adventurous music without all the prog pageantry should be on board.
16. Birth- Born: Retro heavy/psychedelic progressive rock that just feels authentic compared to most modern pretenders….and hell some of those old bastard bands trying to relive the glory days as well. Fans of early King Crimson and ELP will feel right at home here.
15. Polyphia- Remember That You Will Die: Next gen guitar heroes return with their most diverse collection yet. However, be warned the diversity means leaving the "metal" field further & further behind. They are now blending their mind-blowing rhythms & chops with EDM, pop, vocals, and even some hip hop elements. It's going to bring them further exposure to more than just you neanderthals.
14. Electric Callboy- Tekkno: The most *FUN* I had all year with an album. It's insanely catchy as hell metalcore filled with humorous punches throughout (especially emphasized in their awesome videos). Don’t over think it. Just bounce around the house and scream along. They have gone from small clubs to headlining small arenas faster than any band in recent memory.
13. Disillusion- Ayam: Progressive death metal that is actually more "prog" than death if you will. However, the ironic part of that last claim is it does not have that polished and safe approach when you think traditional prog. Gruff vocals, prog rock vibes, blast beats, horns, intricate solos, mixed vocal styles…it all adds up to a truly dark and edgy release with crossover appeal between genre fans.
12. Ghost- Impera: Full disclosure: I have gone from thinking they were a joke to recognizing Tobias's amazing song-writing talent. Throw out the imagery and you still have fantastic throwback rock tunes that continue to evoke Blue Oyster Cult. I never saw an arena headliner coming out of them, but here we are.
11. Blind Guardian- The God Machine: A welcome return to their earlier, heavier, and stripped down roots after years of pushing the over-the-top, bombastic orchestral layers & harmonies. Kudos to the band for the swerve. That being said, Hansi still sounds majestic as fuck singing about nerd novels.
10. The Halo Effect- Days of the Lost: Welcome back," Gothenburg Sound." We have missed the hell out of you. "Colony" era In Flames meets Dark Tranquility. I'm so ready to headbang to "Shadowminds" at the fest.
9. Amorphis- Halo: The band has developed their signature sound and become a well-oiled machine since "Eclipse." The new album continues with more of the same of the past two albums with heaviness, a touch of orchestrations, and their hook laden, melancholic delivery. Not sure what it is specifically this time around compare to the past, but this album just sound so damn smooth.
8. Lorna Shore- Pain Remains: Let's be honest. This is the *it* band right now in underground metal. Their massive YouTube exposure (due in part to the extreme inferno vocals of Will Ramos) has attracted every extreme metalhead, hipster, and curious onlooker. They sold-out an entire U.S. tour before it even started with the album barely out. That's incredible and unheard of for a deathcore band. The music is crushing and highly intricate, culminating in the final three-part title track that clocks in at 20 minutes full of remorse, despair, and emotional pain (read the damn lyrics you lazy bastards).
7. Porcupine Tree- Closure/Continuation: This is an extremely difficult album for me to truly describe despite the obvious prog rock categorization. The essence of the band's soul is still here, but there is just a different vibe (70/s?) injected at times. I'm going to cheat and defer to Sonic Perspectives for a fantastic review: https://www.sonicperspectives.com/album-reviews/porcupine-tree-closure-continuation
6. Michael Romeo- War of the Worlds, Part II: I think the same thing as everyone else. It's basically a Symphony X album minus the lush orchestrations. The incredible Dino Jelusick takes over for Russ on vocals with no drop off. That is more than good enough for me. I'll take what I can get between the centuries it takes for a new Symphony X release.
5. Shinedown- Planet Zero: Shinedown's heaviest and arguably best album since "The Sound of Madness" is a lyrically insightful (if not politically charged) album wrapped up in a science fiction concept. From the ferocious opening track to the arena anthems to radio-friendly ballads, it's a true return to what made them arguably the best mainstream rock band on the planet. That and the fact that Brent can sing his ass off.
4. Tears for Fears- The Tipping Point: I loved the description I read of this as "elegant prog pop." It's an emotionally charged, mature album full of love, loss, and ultimately hope that I fully connect with. Both Roland and Dean convey those emotions in an almost spiritual manner with wizened vocals. A true return to form and beautiful album.
3. Devin Townsend- Lightwork: Possibly the most polarizing ranking on the list. Some folks simply prefer the heavy, chaotic Devy. I'm on the flip side in that I find him at his lyrical and hook-laden best when he lightens the load so to speak. This album fits comfortably into the accessible side of his catalog along side Transcendence. It's Devin's hug on a rainy day while he tells you to relax, take a deep breath, and you will be okay. He is so authentic with his words. I played the living shit out of "Call of the Void" over the past month.
2. Evergrey- A Heartless Portrait (The Orphean Testament): Ever since "Hymns for the Broken," the band has been on steady roll of fantastic releases. The streak remains intact. No need for me to go into the "Evergrey" sound or detail after writing 12 ass-kissing previous reviews over my 20+ year friendship and fanboy connection with the band. Everyone reading this list knows I love everything about the band's music and vocals. I look forward to Tom bitching me out for not ranking it #1.
1. Poets of the Fall- Ghostlight: I have struggled like hell to write anything about this album. My words simply do not match the emotional intensity with which I connect with to it. The final addition of the pop-tinged album trilogy is stunningly beautiful and breathtaking in both scope & melody. I find Marko's command of the English language and ability to cloak melodies in ambiguous metaphors and symbolism beyond any lyricist since Bernie Taupin. Furthermore, it is his finest vocal performance to date- full of clarity, nuances, emotion, power, & honestly…sugary-sweet at times. The rest of the band is in fine, if not intentionally restrained, form as well. Ollie's solos are particularly ethereal and soaring throughout. From the opening bounce of "Firedancer" to the serene romanticism of "Lust for Life," to the grand, sweeping cinematic finale of "Beyond the Horizon" (which evokes memories of James Bond themes of the past), I kept the chills throughout. This is a masterpiece of songwriting, performance, and audiophile production. It is my album of the year.
There are those who have become lost in the darkness
And found hope.
Those who have surrendered to the fires of tribulation
And been reborn.
Those who can illuminate the history of our time to come.
We call them "ghostlights."
**The epic crescendo of this song is everything I want and love in music.**
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