Ulver Blood Inside
The End Records TE058 7/12/05
By Nathan Pearce
Anybody familiar with Ulver is well aware of their impact on metal (specifically black metal); however, to fully understand Ulvers impact on extreme music in general an open mind and careful attention to detail is necessary. With Blood Inside, Ulver has created another sprawling electronic masterpiece. Like Themes From William Blakes The Marriage of Heaven and Hell and Perdition City, Blood Inside expands on all sorts of musical frontiers. Whether it is electronica, trip-hop, pseudo-metal, jazz, or any number of other musical styled, Ulver has become synonymous with experimental musical art.
Blood Inside is sort of a combination of Themes . . . and Perdition City. It combines the varied vocal performances of Themes . . . with the constantly evolving soundscape of Perdition City. However, Blood Inside moves forward in so many new ways, its almost impossible to grasp this album with only a few listens. Multiple listens peel back layers of choral arrangements, synth-driven melodies, and the occasional guitar, saxophone, or trumpet, among other things. Ulver has never been afraid to arrange a song to its fullest potential, and Blood Inside is perhaps their greatest achievement in song-writing perfection. Each and every song blends seamlessly together with the rest of the album, but holds its own as a complete piece of work. Dont even get me started on the lyrical concept behind this album. Things can be interpreted in numerous ways, and Ulvers abundant use of vocals will leave much to be discovered by listeners interested in lyrical theme.
While Ulver is clearly not a metal band anymore, Blood Inside should provide plenty of pleasure for any listener interested in experimental music. After getting several EPs and soundtracks out of their system, Ulver has finally brought us what might be their most complete album to date. Blood Inside is a complex but rewarding experience on many levels.
9/10
Ulvers official Website
The End Records Official Website
The End Records TE058 7/12/05
By Nathan Pearce
Anybody familiar with Ulver is well aware of their impact on metal (specifically black metal); however, to fully understand Ulvers impact on extreme music in general an open mind and careful attention to detail is necessary. With Blood Inside, Ulver has created another sprawling electronic masterpiece. Like Themes From William Blakes The Marriage of Heaven and Hell and Perdition City, Blood Inside expands on all sorts of musical frontiers. Whether it is electronica, trip-hop, pseudo-metal, jazz, or any number of other musical styled, Ulver has become synonymous with experimental musical art.
Blood Inside is sort of a combination of Themes . . . and Perdition City. It combines the varied vocal performances of Themes . . . with the constantly evolving soundscape of Perdition City. However, Blood Inside moves forward in so many new ways, its almost impossible to grasp this album with only a few listens. Multiple listens peel back layers of choral arrangements, synth-driven melodies, and the occasional guitar, saxophone, or trumpet, among other things. Ulver has never been afraid to arrange a song to its fullest potential, and Blood Inside is perhaps their greatest achievement in song-writing perfection. Each and every song blends seamlessly together with the rest of the album, but holds its own as a complete piece of work. Dont even get me started on the lyrical concept behind this album. Things can be interpreted in numerous ways, and Ulvers abundant use of vocals will leave much to be discovered by listeners interested in lyrical theme.
While Ulver is clearly not a metal band anymore, Blood Inside should provide plenty of pleasure for any listener interested in experimental music. After getting several EPs and soundtracks out of their system, Ulver has finally brought us what might be their most complete album to date. Blood Inside is a complex but rewarding experience on many levels.
9/10
Ulvers official Website
The End Records Official Website
