Nebulous
Daniel
Haha, I wasn't refering to the density either. 6kg/m^3 wouldn't have me worried about how much it's going to cost me to do my room
Question answered though, so all good.
Question answered though, so all good.
Re: the accent. I'm an import, so maybe that's why it doesn't show as much. I was born in Europe, so I have a tinge of what you might call the 'wog accent'.
Nice video Ermz. Btw, how do you get the comps to go back to the DAW in time? Because when I tried to use outboard comp for drum bus for example it would shift a few ms, not sure about single elements but for a drum bus it did that and it was really annoying. Haven't really tried on a single snare or kick but it should be the same case right?
Usually DAWs support External Inserts, where you can set in/output volume and also compensate the delay, at least in sonar is auto, don´t know in other daws...and everytime I bounce the track I sent to the compressor it preserves its phase.
One thing Ermz, could you tell me please which tracks goes to eache piece of hardware??? I see the snare, or paralel snare goes to Distressor...but I´d like to know more...are you using Cubase´s external insert function as well??
Cheers man, good mix
I use the External FX system in Cubase (I don't mix in ProTools). It gives you a relatively accurate line-up. Not entirely phase-accurate, but accurate enough if you're running it on tracks that aren't phase critical. For parallel compression you'd need to print and line up.
Sorry. I answered the exact same question on another forum yesterday, so I assumed I had answered it here too. Here it is from the other thread: