To the moment to comment to a pillar founder of the sound thrash of the '80, that next to Metallica, Slayer and Megadeth forged the road of the extreme metal, and they took a place of first line and a character of untouchables that I separate them of the remainder to principles of the '90 (the mythical The Big Four), is necessary to do a high one. All we know that the change of decade '80-'90 affected to each one of these very different bands of way. While some they were transformed into a plots to do dollars and other they tried to continue maintaining its pedestal, Anthrax did not run with the same luck and had to be redone completely. The exit of Joe Belladona (and of smaller form that of Give Spitz) and the incorporation of John Bush carried to leave Anthrax little to little its roots thrash by a hard hybrid of rock, more traditional metal and the experimentation. And though all themselves start with a promising one "The Sound Of The White Noise" (that was elected disk from the toño by several international publications), the consequences "Stomp 442" and "Volume 8" they did not repeat the success and they were received with very different results among their followers and the press specialized. For that reason this "We' sees eats for you all" (WCFYA) tenia 2 options: to Be something as well as the flotador for the band inside this long period of confusion, or the yunque that sinks and continues sowing doubts if there are real possibilities of returning to arise some time in the future. And for luck of the band and ours, this seems something but that a flotador. Anthrax model 2003 already is something very distant to the thrash. But well is the hard band of rock metal that himself start in "Stomp 442", but more mentalizada and with better results. Its structures, sound and composition are centered in themes more close to the most conventional structure of the rock that somewhat grandiloquent of the past as "Intro To Reality Belly Of The Beast". And in this disk, as opposed to the 2 previous, seems that finally they managed to center in this new facet without falling in bypasses that dilute a clear success. WCFYA is initiated with a brief introduction that does not deserve greater attention and leads to "What Doesn' t Die", fear powerful and quick that recalls the best phase Bush. Certain, hard and well enganchador, with a wall of riffs quite solid and a battery that brings to Charlie Benante to a first plan as in the better times. The same thing happens with "Anyplace But Wounds" or the more pegote "Cadillac Rock Box". And this himself does not remain alone there. The hymn "Superhero", the tribute to September 11, Refused To Be Denied", the blast beats of "Black Dalia" or the single "Safe Home" are a sample that this work is of quality. There is not any song that be evil or mediocre. This album maintains its moments in high in every moment in the correct way: fear well structured with the necessary couplings that remain in the mind, riffs of quality supported with arrangements of battery and under that give it the necessary weight, and the already usual melodies and voices of one of the better singers of the I generate as it is John Bush. Special mention deserves "Safe Home". Without doubt, is something as well as the key to the door of the consecration, since her structure well ear and her excellent chorus arrives any person, since the MTV Nation to the hardest rock artists. All in all, and as the holder of the disk says, Anthrax was taken in serious its work of "to come for all we". This disk is all a success. Itself central in the music in if and not in the substitutes so in fad today as are the image or the production supported by the millions of a multinational. This is music worked truly in itself, that though is not extreme metal, is of the best hard rock or classical metal. An I please. Anthrax this of return and with arguments. I hope that the support arise and Anthrax achieve the so toñorado success. The unique thing that ask is that if achieve the success that so much deserve, themselves not emboben as other legends of the I generate, and they continue strong by the music and not by reasons increasingly more decadent as are a dollar but in the current account. [Cristóbal Lakes]