- Apr 7, 2011
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Hi, and happy new year for everybody.
I'm fighting against a rising feeling of being one of the numerous useless sound freak on the market. I listen to a ton a absolutely brilliant productions I just find myself unable to compete. On another hand, as I'm curious and always willing to improve, I can't help myself from trying to find out what's wrong with my prods. Especially, I kind of dislike the guitar sound of many of the albums I produced (I like INSOMNY's and PAVILLON ROUGE's one - another style) and I always note that at least one aspect of the mix seems unpro to my ears.
uke:
My customers are often happy with the result, but to be honest I am never. The only album I've been proud of is the PAVILLON ROUGE's one, which in my opinion sounds quite professionnal.
This is a pillory thread.
Feel free to listen to the stuff, tell me which aspects of my work suck, ask me questions about my way of ingeneering, taking, mixing, mastering.
I feel the time has come for me to receive cruel advices.
I'm fighting against a rising feeling of being one of the numerous useless sound freak on the market. I listen to a ton a absolutely brilliant productions I just find myself unable to compete. On another hand, as I'm curious and always willing to improve, I can't help myself from trying to find out what's wrong with my prods. Especially, I kind of dislike the guitar sound of many of the albums I produced (I like INSOMNY's and PAVILLON ROUGE's one - another style) and I always note that at least one aspect of the mix seems unpro to my ears.

My customers are often happy with the result, but to be honest I am never. The only album I've been proud of is the PAVILLON ROUGE's one, which in my opinion sounds quite professionnal.
This is a pillory thread.

Feel free to listen to the stuff, tell me which aspects of my work suck, ask me questions about my way of ingeneering, taking, mixing, mastering.
I feel the time has come for me to receive cruel advices.