Lionfrost said:
I think Internet radio is great and so are downloads. I just don't see the point of throwing an entire album online, especially not if it's by a band or artist in the situation Paul described. Metallica won't get a smaller budget because 10.000 people download their album (it will merely cause Lars to act like a hyperkinetic dwarf) but ND will most likely be in trouble if 1.000 people do the same with theirs.
Correct me if I'm wrong.
Nope, you're not wrong, you pretty much hit it right on the head.
Every sale we can get really counts because we don't sell all that many copies of cds to begin with. It's great that the die-hards will buy your cd even if they already downloaded it. But for a band like ours who is still trying to build a fanbase and gain more ground, we can't exist and grow just on the sales to die-hard fans alone. Though of course, if we didn't have those diehard fans to count on to support us, we'd really be screwed.
Pretty much it doesn't really matter how cool a band is or how awesome an album might be, if it doesn't manage to generate enough money for the record label, then that means the band will either not get a decent budget to record or tour next time, or it might even mean being dropped all together. A label like The End for example cannot afford to dole out the cash to bands who cannot bring enough money in to make it worth it. (And, that being said, The End does in fact sign and support alot of artists who are not necessarily big sellers or have much commercial appeal. The End signs and supports bands who have something unique and interesting to offer artistically, and are willing to take a gamble on them, which I think they should be commended for.)
It's been proven that being able to download free music from an artist has at times helped that artist to gain more exposure and widen their appeal, and perhaps get people interested in a band, or album, that maybe they wouldn't have already known or cared about.
But it's also proven that downloading can definitely hurt sales too. And not just because someone downloaded a cd and "didn't like it" enough to buy it. I hear people all the time saying "Oh I will definitely buy a cd that I download for free if I like it." Honestly? I think a lot of times that's a bunch of crap, lol. Why? Because I've seen myself and others close to me pull the same shit! There's a couple of albums that I really like alot, that someone gave me a free burned cd of. And I still haven't bought 'em. Whether it be laziness, being too broke, or simply just procrastinating and putting it off 'til later, because I "at least have a copy of it to still listen to in the meantime." I mean that's just being honest, I'm not proud of it but I'm guilty of it too and so are an awful lot of other people I'm sure. So the thing is, while it's cool that maybe there's 1000 people who downloaded it early and for free and love the record, if those 1000 people now wind up putting off being in any sort of a hurry to buy our cd because they've already downloaded it early, and probably listened to it quite a bit by the time it even finally hits the shelves, then that can really hurt our chances of getting the budget and support we need to carry on and tour, make new merch, and especially record another cd that's as good quality as the previous one.
When people like Lars or some of these other major stars complain about it, I can't help but feel like, while they might have a legit arguement on some points, they're just upset that they can't gas up their private jet now because of downloading profit losses, haha. For us it's different....we make zero money to go into our own pockets. And we certainly don't give a shit about Soundscan or music charts (other than underground metal radio charts or something). Any issue I have with free downloading or early leaks has to do with hurting the future sales of our cd enough that it could hinder our future plans for the band, thats it.
Anyhow bottom line is, there's nothing we can really do about it. The only thing is that we try to make the best product possible, both musically and with the packaging and artwork, etc., and hope that it's strong enough to make people want to own the complete thing.