WTF is "Glue"

It sounds like you know exactly what it is but you just disagree with the criticism.
"Glue" is the sonic cohesion that makes the mix sound like a solid musical unit and not 100 discreet elements recorded in a vacuum being played back simultaneously.
 
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?

:lol:
 
It sounds like you know exactly what it is but you just disagree with the criticism.
"Glue" is the sonic cohesion that makes the mix sound like a solid musical unit and not 100 discreet elements recorded in a vacuum being played back simultaneously.

What is a good way of achiving this?
 
Level adjustements for every instrument (you can check it by listening to your mix at very low volume, is a nice trick) and compression on the master buss.
The ambience (reverb mainly and delay in some cases) is important too for drums, lead guitars and expecially vocals.
 
it's usually a compressor on the mix bus that glues all the instruments together.

usually the SSL Comp for heavy/hard rock.

i like the focusrite d2 for more pop'ish stuff. and im really liking the AC1 on mix bus now

I'm using ssl comp =(
 
glue is just a term used to describe how the elements of a mix fit together.

there is not one element that creates glue. yes, it's mix & buss compression, yes it's reverbs. but it's more of how you use your elements together to create a nice atmosphere.
 
glue is just a term used to describe how the elements of a mix fit together.

there is not one element that creates glue. yes, it's mix & buss compression, yes it's reverbs. but it's more of how you use your elements together to create a nice atmosphere.

Good way of putting it!

Any suggestions on this one?
 
there is actually a stereo buss compressor plug-in by cytomic called the glue. it is a really great compressor if you don't have the waves ssl buss comp (but we all know that you do.) xoxo. =P



obviously... in order to acheive this sound, the source quality rule still applies.
 
I've always looked at "glue" as the results of the complete mix. How you go about achieving a "glued" mix vary, but when all the pieces come together - good song, good tracking, effective use of compression, EQ, and reverb (regardless of the tools used), and good mixing skills (we all know what that entails), you have a cohesive mix that takes all these individual physical items to produce something that sounds as a pleasing whole and not as a collection of individual tracks and/or effects that made it so.

Just my 2 cents - your mileage may vary.
 
there is actually a stereo buss compressor plug-in by cytomic called the glue. it is a really great compressor if you don't have the waves ssl buss comp (but we all know that you do.) xoxo. =P



obviously... in order to acheive this sound, the source quality rule still applies.

I actually use "the glue"
it's sick with a few more useful features than waves SSL.
I actually like it better than waves SSL
 
Good way of putting it!

Any suggestions on this one?


I have to say that there's nothing I can say that will help too much. it's all rather relative. I think we all have different and similar tastes of glue.

in all things heavy rock, I like for my glue to show what I described as "atmosphere"
I want my mix to be punchy, compressed and "chewy" (a weird term I use for perfect compression haha).
but at the same time I like there to be a distinct sense of depth.
I want it to sound like you're hearing it in a space or room, if you will.
to me, that's taking a mix's glue just that much further
 
What Jim said. It's sort of like asking how to mix. We can create a list of things we do but it isn't going to be very helpful b/c it's so interactive and track dependent.
 
i totally agree whit what the other guys has just said, also is very important to have a good arranged song, sometimes is impossible to get that glue in a mix just because of that factor.