I do see Romeo using alot of solo techniques often that Yngwie never uses. The only connection I hear is the neo classical element and it seems to be considerably different/not cloned which is great because he writes great compositions and solos.
I would agree... I for one have never seen Yngwie use that crazy legato-tap thing that Romeo does in almost every solo. Plus, I have noticed that Romeo rarely "shreds," in the best sense of the word. Most of Romeo's playing is smooth, and rarely contains that "razor blade" feel of typical shredding. For example, I can only think of two solos right now off the top of my head that have "shredding" in them - Walls of Babylon and Revelation.
It's funny when you listen to DiMeola now how that was considered flash.
Dumb DiMeola side story:
When I was in high school, me and my friend Ken went to DiMeola's house late one night in a drunken stupor(he lived in the same town). We knocked on the door hoping he would give us tickets to his upcoming show at the Ritz in NYC. He answered the door and said to come see him, but no tickets. So, we left a case of our empty beer cans on his lawn. Stupid kid stuff...still makes me chuckle.
Obviously over the years, many more over the top techniques have been introduced and mastered.
yeah.... OK
I remember you telling this before, so are you saying its personal ?
would that mean Yngwie could no longer be considered......... flashy ?
I think I'm finally wrapping my head around this whole guitar shredding thing
ohhh and the g3 live in denver with malmsteen is pretty great to i love when he destorys his guitar
Andy LaRocque is a much better neoclassical player IMO. But "Unleash the fucking fury"-Malmsteen's fun.