5150 + Hot Plate + Engl impulses

Thanks!

Altiverb 3... I used the IR preprocessor that came with it to make the impulses.

A few small EQ cuts... a narrow cut around 3.2k to get rid of a nasty resonance in that particular speaker (which otherwise sounds awesome, the best of the 4), a wide, shallow cut around 400 Hz to clean up the lower mids a bit, and a slightly less wide, shallow cut at 870 Hz or so to get clean up a slight boxy honk that I think the cab has (I hear it in at least 2 speakers, and the other 2 aren't very good to record). There's a C4 multiband on the stereo bus as well as an L2 limiter, but no compression specifically on the guitar tracks.
 
Could you share your impulses?

I could, but I kind of doubt they'll work without Altiverb... Altiverb required them to be recorded in Pro Tools as .SD2 files and then processed/deconvolved/whatever into some format with no extension. I'll see if they load into any other 3rd-party convolution software when I get home... if not, I'm not sure I can help you.
 
You could record a simple riff of a few seconds (20s or so...) then share the preamp wet rack (awful sounding, without the impulse) and the same track processed through Altiverb...
I could easily extract the impulse from there...
 
Thanks everyone!

Wow!! Does the hot plate help significantly when using impulses? What hot plate are u using?

Also what are ur settings on the 5150?

8 ohm Hot Plate (I could have also used 16 or 4 ohms, but my cab is 8 ohms, so that's the best one for me to use for when I want to play at low volume through the cab).

There are pretty much 2 ways to make impulses... through the power section of a guitar amp, or through a flat poweramp of some kind. If you use the power section of a guitar amp to make impulses, you can set up the presence/resonance/depth controls (or whatever your power section has) however you like them when you make the impulse, but then it's best to use a preamp output for recording, since you've already captured the power section. However, the main gripe most people have with impulses is that they don't really capture the dynamic response of cabs/power sections as well, so why would you want a static snapshot of your poweramp if you could play through (and record) your entire amp direct with just the cabinet captured in an impulse? I feel that it reintroduces some punch and thickness that a lot of people have a hard time getting with direct recordings. So that's why I use a Hot Plate (and I actually made the impulse using the headphone amp on my Presonus Central Station :p ). It's not strictly necessary, but I feel it gives me better direct recordings, and as an added benefit, I can set it to "Load" and record completely silently, whereas just using the preamp out would still require me to have a speaker hooked up, and with the 5150, you need to have the channel volume turned up pretty high to get a decent signal out of the preamp out (and Standby disables the preamp out).

5150 settings... I'm not sure, I actually did this a month or two ago, but I think it was lead gain 4.5 or so (maybe 4), bass 5, mids 3, treble 6.5, resonance 0, presence 5. That's what I usually use, although lately I've been turning up the resonance a bit... not sure if I like it, though, for recording purposes, the low end can get out of control pretty quickly.

tone is good, but i really like the riff!

got any more stuff?

Thanks! No more stuff right now, but I'm working on some things. Also, I recently picked up an Engl E530, and while it I feel like it has slightly less attitude than the 5150, it has so much more clarity. I am going to be experimenting with some blends between the two.

Also, Wild Hades, I haven't had time to do your thing with the impulses yet, but hopefully I'll get to it sometime this week.
 
Really really good mate! I see you're using your trademark delay switchery still :D I think it works a treat.

Thanks man! I don't know about trademark, but I love the way it sounds, so yeah, I use it a lot. :p

What is this delay switchery magic you speak of?

For parts that I really want to sound big and spacey, I put a send on the guitar tracks to a stereo delay, but I pan the delay sends opposite the main guitar tracks. I usually lowpass (and sometimes highpass) the delay so it doesn't get all sizzly and sloppy, and occasionally I'll add some reverb and/or chorus and/or flanger and/or other effects to the delay, depending on how big and weird I want it to sound. I generally don't mess with the tracks feeding the delay too much, though, I usually want them to stand out clearly.