Baroque
Active Member
It is not creative. Bands have been doing the "LOL lets put this section next to this contrasting section, SO FUCKING PROG MAN" thing for decades. It's not creative, and it's not skilled; it's a copout songwriting technique designed to make a song appear "progressive" to prog metal nerds who wouldn't know about actual progression (see: the goal of true progressive music) if it fucking mushroom stamped them across the forehead. Say what you will, but saying it is creative is factually incorrect.
Also you've written about the mathematics of music theory, but you tell people they have "broken ears" for saying a mish-mash, slapped together album like TSOP is shit? Wow.
Actually sorta dumbfounded tbh.
So you admit you only like it because you cant find an album of higher quality that fits that specific genre mash?
I like it because it is the best album that fits that specific genre mash. And that specific genre mash combines my top three favorite genres of metal. So naturally I praise the album as better than most metal albums. Not so hard to understand really. It's also why I see it as a creative album, it's the best of its class. I think the changes and pacing are well placed. It never gets boring. Math & music theory has nothing to do with why I like this album, but everything to do with why I'm laughing at your comment 'unable to analyze music' i have a master's degree in analyzing music. It's not a mish mash. Listen again. Keep listening. You will get it if you give a chance. Every listen I enjoy this album more, like any good prog it takes some warming up to. As a fan of prog you should know about that. I truly believe this is Schuldiner's masterpiece.