JBroll
I MIX WITH PHYSICS!!!!
I think that's because SO MUCH MORE of a good vocal track is the original performance, and I personally feel just about powerless with a bad vocal track.
Jeff
Jeff
Maybe you should try to list it like
[UEAK]Clowd;7538789 said:Thanks for the advice man. I guess the thing I am most interested in is the post-processing aspect.
For example, in the killswitch multitrack from the rock band rips thread, if you listen to the clean vocals solod, it sounds like there is SOOO much delay on it, but then when you hear it with the music, it is a lot more subtle. It just makes his already huge voice gigantic sounding. I can't figure out how to make that happen on my own tracks.
Thanks so much for this thread!
ahjteam Is there anything vst plug that comes close to the TC M350 hardware? I would rather not buy hardware but if nothing compares than I dont mind purchasing.
I actually wouldn't mind a tutorial that dealt with routing the individual drum outs in samplers like EzD, AD, Superior 2.0 to individual audio tracks in Cubase/Nuendo. For some reason that's something I never came to grips with. I'd imagine it'd be a fairly easy tutorial to write up for someone who deals with drum programming regularly.
I actually wouldn't mind a tutorial that dealt with routing the individual drum outs in samplers like EzD, AD, Superior 2.0 to individual audio tracks in Cubase/Nuendo. For some reason that's something I never came to grips with. I'd imagine it'd be a fairly easy tutorial to write up for someone who deals with drum programming regularly.
Id be cool to do some pro tools tutorials if any one would want em
hmmmpf.....
welll.......
errr....
sod it, ill do some anyway, what sort of thing would y'all want?