God im tired of these slate threads...
Yea, I got away with using them for a while.
and then I moved on to other cymbals and realized that the slate ones sounded bad (IMHO)
well, the good news is that SSD4 has true stereo OH's with no need to stereo pan.. and the cymbals sound amazing.. But I gotta say from listening to the above band that SPTZ posted, and listening to thousands of demos with my kits, I don't think the SSD3.5 cymbals are bad at all... in fact I really dig hi hat 2 and 3 quite a bit, and both rides sound good to me. If you are making custom kits, you'll have to balance the dry vs room levels pretty well to get the proper air.. and you'll also have to pan.. They also need some eqing for hard rock.
I have both SD2.0 and Slate EX. But, I am running into the same issues as PattonFreak1 - while I love the sound of ToonTrack's OH's paired with kit pieces from SSD, that combo violently rapes my CPU. If I could get away with JUST using SSD that would be an ennormous gain for me.
The cymbals here seem very dry which creates a huge gap in quality with the kit pieces which are pre-processed. Are the cymbals just poorly recorded, or maybe just poor quality cymbals were used int he making of? I seriously don't know. I've tried everything from routing the cymbals to their own room channel to simulate an actual OH track, to retarded amounts of EQ, to you name it. I just can not get them to work for me. There has to be a trick to them....
I just don't get people who buy the "light" or "ex" version of software and because it doesn't have the best sounds they complain that shit sucks. I have the plat version and to be honest 90% of the drums I use came with EX. I also use the drums that come with the "metal" pack.
If you didnt do your research on the sounds you liked and which pack they came with before you purchased you have noone to blame but yourself.
Steven, is there going to be cross-grade pricing on the new SSD?
I'm surprised Steven didn't suggest this... One of the keys to getting symbols to sound nice with SSD is to compress them separately from the rest of the kit. Steven explains this process on his site. Might be helpful to you...
http://www.stevenslatedrums.com/forum/viewtopic.php?f=12&t=1626
I made the SSD library in a way that allows the user to get polished, finished sounds with little to no fuss.
However, compression can really enhance the drums, if you know how to use it properly.
Lets start with the CLA Hybrid kit, here is a little demo with just the preset default:
http://www.stevenslatedrums.com/test/CLANoComp.mp3
This sounds good as is, but lets tweak it. I'll send the NRG Room, the SSD Room (for this kit only the snare was in the SSD Room), and all the cymbals minus the hi hat to a bus or group. On this group I'll add a FET compressor at 4:1, medium to slow attack and very fast release. I'll take off about 4-6 db. Now the cymbal decay has been brought out, and the room's character is really enhanced.
Next, I'll add the group back in with the kick, snare, hat, and toms. This combined drum mix will go to ANOTHER compressor, again I like FET 1176 style, and I'll use a very slow attack to let a lot of the transient in, and a very fast release, with about 4 db of compression.
So now the drums are really sounding big, and the resonances and room tones are more present. Last, the whole drum mix (along with the rest of the mix if this were in a song) go to a VCA mixbuss comp. Medium slow attack, fast release, and just moving the needle a bit to glue the bottom a bit and add some upper midrange focus.
And the result is this:
http://www.stevenslatedrums.com/test/CLAComp.mp3
again with no compression:
http://www.stevenslatedrums.com/test/CLANoComp.mp3
Steven
Yep, it does indeed fuck your CPU with both running.
Cool tip: If you're programming cymbals in S.2 and you think they're all set, render them to stems and get rid of Superior drummer. That's how I do it.. And it saves a ton of space!