Cheers guys!
I'm currently mixing our album and I did a test today with one of the tracks to see which Bus comp I'm going to use for the final mixes. I bought a Prime 4000E (SSL Bus clone) a few months ago and didn't have any material to put it to use on (mixing a lot of electronic and folk stuff and Waves worked just fine on those).
But now for the good stuff I wanted to compare the Waves SSL bus comp that I've been mixing into to the outboard Prime.
The result was pretty obvious to myself and our engineer.
I'll post a few sound clips so you can hear how it's working (blind shootouts are kinda cool, but I wanted to keep this one straightforward):
http://dl.dropbox.com/u/4522401/waves ssl.aif
http://dl.dropbox.com/u/4522401/prime ssl.aif
http://dl.dropbox.com/u/4522401/ssl bus a-b test swap.aif
In the last clip I changed the mixes on each bar back and forth.
Settings were the same on both comps.
Tell me what you think.
I'm currently mixing our album and I did a test today with one of the tracks to see which Bus comp I'm going to use for the final mixes. I bought a Prime 4000E (SSL Bus clone) a few months ago and didn't have any material to put it to use on (mixing a lot of electronic and folk stuff and Waves worked just fine on those).
But now for the good stuff I wanted to compare the Waves SSL bus comp that I've been mixing into to the outboard Prime.
The result was pretty obvious to myself and our engineer.
I'll post a few sound clips so you can hear how it's working (blind shootouts are kinda cool, but I wanted to keep this one straightforward):
http://dl.dropbox.com/u/4522401/waves ssl.aif
http://dl.dropbox.com/u/4522401/prime ssl.aif
http://dl.dropbox.com/u/4522401/ssl bus a-b test swap.aif
In the last clip I changed the mixes on each bar back and forth.
Settings were the same on both comps.
Tell me what you think.