Thanks Gavin. I feel many people have a completely distorted understandings of how much bands make.I know that in alestorm... Even making £1500+ per show (festivals) and selling over 13k albums in half a year...
We still made major losses that came from MY bank account... And this was just on transport/food/phonebills etc...
And every headline show we did, we sold out... every festival we destroyed capacity figures...
Going indie is the only way to make any form of money... but even then, it's gonna just be the guy doing the business that benifits the most...
Music is a harsh business and to be honest egan, i agree... even if you a lot of sell records you make fuck all.
I really wouldn't call it stealing. If you steal sth. the victims really misses it. If you download a CD you wouldn't buy anyway, noone gets harmed. I think we agree, that you should buy every record you like so much that you're going to listen to it more than once in a while. This is what I'm doing. I'm buying reords I like very much. maybe like 5-10 a year. it really depends.Could we agree that, if the band continues to make kick-ass music, regardless of what label they're on or how much the CD cost to make, that it's always better to support the band and purchase a CD/go to their shows, than it is to steal their music?
we covered about 80% of the money the cd-production in less than one year, selling shirts and cds at gigs and on homepage for 10 each. which is a very reasonable price. I think that's the key for selling enough stuff. I always see jealous headliners selling almost nothing of their 20 shirt and 15 cd stuff.Since my band was mentioned by the OP I feel I need to weigh in on hoehlentroll's opinions here.
Firstly, any band that can make $5000 "playing a few gigs" is doing very well. I don't know where you get numbers from but while that is very possible as a gross amount it becomes much more difficult as a net after expenses-- particularly without any label support. Especially if you ignore the importance of advertising, magazine coverage, getting you on tours and the host of other things that get you to the point where you could move significant merch. There are certainly a few bands that have done that but not many playing underground metal.
I know that in alestorm... Even making £1500+ per show (festivals) and selling over 13k albums in half a year...
We still made major losses that came from MY bank account... And this was just on transport/food/phonebills etc...
And every headline show we did, we sold out... every festival we destroyed capacity figures...
Going indie is the only way to make any form of money... but even then, it's gonna just be the guy doing the business that benifits the most...
Music is a harsh business and to be honest egan, i agree... even if you a lot of sell records you make fuck all.
as a matter of fact I bought both your cd as well as the new in flames. just to let you knowIf you think the new In Flames sucks, don't buy it-- but don't pretend that you are executing some sort of justified wealth redistribution. In Flames is a huge band but for 99% of bands we are talking about this is a difference between being able to make records and tour or having to hang it up before you get evicted. Obviously don't but what you don't like, but if you d/l a record and love it then buy the CD...or at least a tshirt...or do something if you want to hear more from a band in the future.
The difficult part is that, if you download a CD that you weren't going to buy anyway, and end up really enjoying it, there isn't anything but your morality holding you back from not buying the CD. Personally, I feel what needs to happen is that bands need to create more reasons for potential fans to purchase their CD.I really wouldn't call it stealing. If you steal sth. the victims really misses it. If you download a CD you wouldn't buy anyway, noone gets harmed. I think we agree, that you should buy every record you like so much that you're going to listen to it more than once in a while. This is what I'm doing. I'm buying reords I like very much. maybe like 5-10 a year. it really depends.
Eh, they have to charge that much to make up for the extremely high overhead of taking an entire crew with you on one or more rented busses on tour.We covered about 80% of the money the cd-production in less than one year, selling shirts and cds at gigs and on homepage for 10 each. which is a very reasonable price. I think that's the key for selling enough stuff. I always see jealous headliners selling almost nothing of their 20 shirt and 15 cd stuff.
Good for you. Seriously. You have a fantastic plan as long as everyone is resigned to being a regional band. Perhaps that is the future. I'll also point out that you probably aren't paying the venue a merch percentage (10-30% in the US) like national bands are.we covered about 80% of the money the cd-production in less than one year, selling shirts and cds at gigs and on homepage for 10€ each. which is a very reasonable price. I think that's the key for selling enough stuff. I always see jealous headliners selling almost nothing of their 20€ shirt and 15€ cd stuff.
I really wouldn't call it stealing. If you steal sth. the victims really misses it. If you download a CD you wouldn't buy anyway, noone gets harmed.
Jesus dude - do you think you guys just got a shitty deal, or had unusually large debts built up to recoup, or some other extenuating circumstances, or is it like that for any signed band?
Getting signed = agreeing to long-term loan to make the loaner cash, in exchange for use of media connections. No getting rich in there for 99.99% of bands.Can't go into it, but the situation was bankrupting me (as the only member to ever have a job )
Get down on earthgood music can be done with a low budget. I don't need to pay an artist a new car or mansion. I know it's possible to stay as low as 5000$ for a cd-production which can be paid by several live gigs selling shirts.
Getting signed = agreeing to long-term loan to make the loaner cash, in exchange for use of media connections. No getting rich in there for 99.99% of bands.
Gah, I'd meant to respond to the guy YOU were responding to! I meant to be agreeing with you & adding evidence My bad!Aware of that... but when you're not using the loan but your own money from your job to fund doing gigs and eating ON THE ROAD .