I beg to differ that routing it to the buss and recording back on track had anything to do with fixing the orignal problem. It just made things a litte bit easier to do. If anything fixed it in this equation it was the triggering method that you had switched.
I beg to differ that routing it to the buss and recording back on track had anything to do with fixing the orignal problem. It just made things a litte bit easier to do. If anything fixed it in this equation it was the triggering method that you had switched.
And in cubase you can do the same thing, but I believe it refers to busses as "groups," but there's also a possibility I'm talking out of my ass. Either way, it can be done.
No disrespect at all to you or sneap but come on there busses. This is not a magical "sneap" thing. This is something that should be aviable in all hosting software.
No disrespect at all to you or sneap but come on there busses. This is not a magical "sneap" thing. This is something that should be aviable in all hosting software.
every technique that gets posted on here gets applied to a newer engineer. We've got double mic'ing a cab, that's the "Nordstrom Method," making vocals dominate the mix is the "CLA thing," and now Andy Sneap has invented bussing. How did people ever send from mixers to pro tools before he came along!?!?! cracks me up
every technique that gets posted on here gets applied to a newer engineer. We've got double mic'ing a cab, that's the "Nordstrom Method," making vocals dominate the mix is the "CLA thing," and now Andy Sneap has invented bussing. How did people ever send from mixers to pro tools before he came along!?!?! cracks me up
When I first used drumagog I forgot to make each sample start at the same/ very similar time when I edited them. It gave the problem you mentioned here.