uke: Damn you!!
This time only the Mesa Boogie Studio Preamp (no TS or SoloC) with LeCab/ASEMRECTOV30 impulse.
MesaBoogie Studio Preamp+impulse
Put the 750 hrz slider way down.
With the pregain-eq knobs you can dail in any bas sound.
This is the nastiest sounding one to me (in a good way).
KillDivision, can you do one with a bass cabinet impulse? Maybe an Ampeg 8x10 one?
Studio Preamp + 8x10 impulse
The actual name of the impulse: Ampeg8x10_e602_AH
Studio Preamp + Ampeg SVX 8x10
No Lecab, but Ampeg SVX with 8x10 speaker.
The settings on the Studio Preamp where exactly the same as my last post with the 750hrz slider way down.
Im gonna reamp guitar- and bastracks for a local band, glad I tried this.
Studio Preamp + 8x10 impulse
The actual name of the impulse: Ampeg8x10_e602_AH
Studio Preamp + Ampeg SVX 8x10
No Lecab, but Ampeg SVX with 8x10 speaker.
The settings on the Studio Preamp where exactly the same as my last post with the 750hrz slider way down.
Im gonna reamp guitar- and bastracks for a local band, glad I tried this.
Link doesn't work :. What do you think of the Behringer pedal?
The Ampeg one is fucking PERFECT. Sounds like a super well done mic'd up bass rig.
Mind sharing those bass impulses?
The MXR seems a bit like a one-trick pony (or have you just not experimented much?)
The clip is the result of my first 5 odd minutes playing with the pedal. It depends what you need when it comes to versatility. I got it for that mushy mid-rape that is on the Come Clarity record and so far it seems to be doing ok with that (will found out in the mix shortly though). One of the most important controls appears to be the blend knob, which lets you control how much fuzz you want with the 'clean' (ie. slightly gritty) signal.
I've still gotta experiment running it through the usual suspects, from Bass Amp Room, to SVX, to impulses to whatever else might work best.
The important thing is not to listen to the fullrange signal as a stand-alone bass sound. You need to have imagination and try to picture where the grit will sit alongside the guitars in a full mix. For me the MXR's density in the midrange seems fairly good for this so far. Clanky hi-fi tones are one thing, but bear in mind most times you'll be ditching anything above 4khz, and having a really prominent clanky thing happening in the high mids isn't going to be the best thing for your vocals.
The important thing is not to listen to the fullrange signal as a stand-alone bass sound. You need to have imagination and try to picture where the grit will sit alongside the guitars in a full mix. For me the MXR's density in the midrange seems fairly good for this so far. Clanky hi-fi tones are one thing, but bear in mind most times you'll be ditching anything above 4khz, and having a really prominent clanky thing happening in the high mids isn't going to be the best thing for your vocals.