Dunlop MXR Bass DI test

So far my favorite sound in this thread has been Burny's BDDI one. I reallllly need to get one of those now.
 
Studio Preamp + 8x10 impulse

The actual name of the impulse: Ampeg8x10_e602_AH


Studio Preamp + Ampeg SVX 8x10

No Lecab, but Ampeg SVX with 8x10 speaker.




The settings on the Studio Preamp where exactly the same as my last post with the 750hrz slider way down.
Im gonna reamp guitar- and bastracks for a local band, glad I tried this.

The Ampeg one is fucking PERFECT. Sounds like a super well done mic'd up bass rig.

Mind sharing those bass impulses?
 
The MXR seems a bit like a one-trick pony (or have you just not experimented much?) - great for that Come Clarity sound (I haven't heard anything else come close), but that's about it.

Some software stuff:
Juicy77 (fucking love this): http://dl.dropbox.com/u/324723/J77.mp3
TSE808: http://dl.dropbox.com/u/324723/TSE1.mp3
TSE808 (2 instances): http://dl.dropbox.com/u/324723/TSE2.mp3 (sounds pretty terrible here, but with some EQing particularly those nasty mids it can sound good - used it in my last mix).
Kitchen sink: http://dl.dropbox.com/u/324723/bass.mp3
 
The MXR seems a bit like a one-trick pony (or have you just not experimented much?)

The clip is the result of my first 5 odd minutes playing with the pedal. It depends what you need when it comes to versatility. I got it for that mushy mid-rape that is on the Come Clarity record and so far it seems to be doing ok with that (will found out in the mix shortly though). One of the most important controls appears to be the blend knob, which lets you control how much fuzz you want with the 'clean' (ie. slightly gritty) signal.

I've still gotta experiment running it through the usual suspects, from Bass Amp Room, to SVX, to impulses to whatever else might work best.

The important thing is not to listen to the fullrange signal as a stand-alone bass sound. You need to have imagination and try to picture where the grit will sit alongside the guitars in a full mix. For me the MXR's density in the midrange seems fairly good for this so far. Clanky hi-fi tones are one thing, but bear in mind most times you'll be ditching anything above 4khz, and having a really prominent clanky thing happening in the high mids isn't going to be the best thing for your vocals.
 
The clip is the result of my first 5 odd minutes playing with the pedal. It depends what you need when it comes to versatility. I got it for that mushy mid-rape that is on the Come Clarity record and so far it seems to be doing ok with that (will found out in the mix shortly though). One of the most important controls appears to be the blend knob, which lets you control how much fuzz you want with the 'clean' (ie. slightly gritty) signal.

I've still gotta experiment running it through the usual suspects, from Bass Amp Room, to SVX, to impulses to whatever else might work best.

The important thing is not to listen to the fullrange signal as a stand-alone bass sound. You need to have imagination and try to picture where the grit will sit alongside the guitars in a full mix. For me the MXR's density in the midrange seems fairly good for this so far. Clanky hi-fi tones are one thing, but bear in mind most times you'll be ditching anything above 4khz, and having a really prominent clanky thing happening in the high mids isn't going to be the best thing for your vocals.

Amen to that.
So many times I think I have a perfect guitarsound or bassound that's ending up totally not fitting the mix. respect to those who get it right the first time.
 
The important thing is not to listen to the fullrange signal as a stand-alone bass sound. You need to have imagination and try to picture where the grit will sit alongside the guitars in a full mix. For me the MXR's density in the midrange seems fairly good for this so far. Clanky hi-fi tones are one thing, but bear in mind most times you'll be ditching anything above 4khz, and having a really prominent clanky thing happening in the high mids isn't going to be the best thing for your vocals.

you couldn't be more correct, bro! the bddi sounds nice, sure, but in a mix; i'd ditch it in a fucking second.

So far I like your MXR test and KillDivisions Ampeg one.

We just got a Firebass700 at work used and we were toying with it yesterday. While it can't get UBER gritty, it has a fucking AWESOME tonality to it, either thru a 4x10 Eden cab or the 4x12 Mesa cab (which sounded fucking REDONK).

Bass rig is on the horizon for Sonic Assault!