Kick on the grid, everything else VERY slightly behind it. Lets the drums hit the compressor first.
Kick on the grid, everything else VERY slightly behind it. Lets the drums hit the compressor first.
+100Kick on the grid, everything else VERY slightly behind it. Lets the drums hit the compressor first.
when you say slightly behind, you mean like in picture 2 of the OP?
I think it's both an early scratch with the pick before the actual attack and a loose muting before the hitting the strings - actually not very difficult to play, IMHO. Of course then comes the editing which leaves the early part "before the grid"Sounds badass, but even if I leave in the little bit before the transient, I never get that much scrape. What are they doing there?
If you always edit 2 ms after the grid, and you don't have any midi stuff going on, isn't that practically the same as editing right to the grid? You just move the "grid" 2 ms later? Or did you mean "something like 2 ms, not that accurately" or something?
You have the drums hit on the grid, the rest 2ms later.
Yep.
Slightly related to the OP (which seems to be answered now), at 2:56 of I Will Not Bow by Breaking Benjamin, you can hear the scrape of the guitar before it hits the chords. Sounds badass, but even if I leave in the little bit before the transient, I never get that much scrape. What are they doing there?
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unless you're playing a blues solo or something, the feeling is mostly in the velocity, not the timing. everything out of time tend to kill the feel since people nowadays are used to "100% grid"-style productions.