Max Morton
Member
Offtopic (regarding bleed): I've recorded several albums using shure beta58, the same mic I sing in during rehearsals and gigs, as a snare top mic. And I really prefer it to sm57, its bleed is less annoying, too
In LBTM's defense, I think we are dealing with a miscommunication here. When LBTM used the word "shit" in reference to mentioned techniques, I don't think he insinuated that those techniques are shit. I think he just used that term as a blunt variety of "stuff". When I read the sentence that way, it turns into a pretty normal question, altough perhaps coming from a lack of background information or experience (no offense, LBTM).
I wasn't talking about the word "shit" that he used at all. I asked if he can explain how match EQ is the same as the other things he mentioned. Which is why I asked exactly that... multiple times now. Each time he responds by saying he didn't say that. Yet I can quote him lumping in match EQ with the other things.
Nah, I know. That part was about the situation between Behind and LBTM, so the thread wouldn't be derailed in that direction. I should probably have worded that more clearly.
I completely agree with you that those tools cannot be put in the same heap. It's comparing apples and oranges really.
slo77y said:can i match-EQ a mix from CLA ? no? why not ? :*(
This board really needs to calm down with this EQ matching stuff.
If you try to do what you propose, you will very quickly realize that there is more to the recording of the snare than simple frequency response.
I think we need to get over this eq matching thing. Especially in this case you have to understand that EQ isn't the only thing that the mic picks up and affects. You would be ten times better off just using samples
In the end who gives a shit, people can do what the fuck they wanna do.