egan.
daylightdies.com
I am so fucking sick of the idea that if you aren't farting into a tuba accompanied by a monk bloodletting onto a field snare then you aren't making "real art." As though being willfully obtuse and contrarian lends any more credibility to you than if you wrote pop songs. If making the music brings you joy that's great, but don't try to discredit someone else for finding the same joy in different music. Of the hundreds of musicians I know (including guys doing stadium tours), very few make a living just writing and playing. There are few people in the world who could do this for anything but the love. It just doesn't work like that.
Now on topic, pre AT they would do the eventide trick mentioned and also would slow down the tape so singers could hit notes. However, by far the most common method of "pitch correction" (or guitar, drums, etc.) was to simply hire a ghost musician to come in and do it better.
Like it or not, AT is the modern standard and is applied to great singers who don't need it b/c it's the sound of the day. The notion that it's only used as "talent replacement" is simply incorrect. Now, if you don't like the sound then your best bet would be to cater to "academic" music styles or align yourself with really talented, like-minded artists (good luck).
Now on topic, pre AT they would do the eventide trick mentioned and also would slow down the tape so singers could hit notes. However, by far the most common method of "pitch correction" (or guitar, drums, etc.) was to simply hire a ghost musician to come in and do it better.
Like it or not, AT is the modern standard and is applied to great singers who don't need it b/c it's the sound of the day. The notion that it's only used as "talent replacement" is simply incorrect. Now, if you don't like the sound then your best bet would be to cater to "academic" music styles or align yourself with really talented, like-minded artists (good luck).