Female fronted melodic death metal (Includes RAW's for your mixing pleasure)

MartijnPaauwe

Member
Mar 11, 2008
878
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Dutchieland
www.mirdyn.com
Some of you might read it, but my band Nephylim released it's EP last month.
This EP was produced, recorded, mixed & mastered by me.

Most of this knowledge I gained from this forum over the last couple of years, so now I give back to you.
All the raw files from one of our songs called 'The Fallen'

REFERENCE MIX:
https://dl.dropboxusercontent.com/u/419882/06 The Fallen.mp3

All drums are real, tuned and played well (I hope :D)
Guitars and bass contain DI's as re-amped tracks

THE FILES!
https://www.dropbox.com/s/0249y1wurnoigpu/Nephylim - The Fallen RAWS.zip?dl=0

NOTE:
If you intent to use files for say promotional material for your studio, always throw in a link to our website (www.nephylim.com) and credit me as producer and engineer.
Give credit where credit is due!

Hope you guys enjoy and happy mixing! :)
 
Nice song ! Thanks for sharing :)
I downloaded the tracks, and might give it a go.

Just one question : I quickly checked the individual tracks, is it possible to have the raw tom tracks without strip silence ?
I thought you cut em a bit short (I like to split tom tracks in 2 : 1 high track cut short, and 1 low track cut longer, to preserve sustain)

EDIT : also, do you have some kind of guitar pro file of the song ?
I ask because I eventually want to try to replace the bass DI with midi bass.
It will save the hassle to do the conversion with Melodyne, check mistakes in pitch/timing...etc.
 
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Thanks for all the nice words gents! Appreciate it :)



Mix sounds cool! Guitars only sound very harsh to my ears and there is something really whacky going on at 1:18 with the drums, definitely not how they should sound.

Nice song ! Thanks for sharing :)
I downloaded the tracks, and might give it a go.

Just one question : I quickly checked the individual tracks, is it possible to have the raw tom tracks without strip silence ?
I thought you cut em a bit short (I like to split tom tracks in 2 : 1 high track cut short, and 1 low track cut longer, to preserve sustain)

EDIT : also, do you have some kind of guitar pro file of the song ?
I ask because I eventually want to try to replace the bass DI with midi bass.
It will save the hassle to do the conversion with Melodyne, check mistakes in pitch/timing...etc.

You can find the unstripped toms here https://www.dropbox.com/s/m7dyrub98e3f4o6/TOMS.zip?dl=0
You mean one tom track stripped and processed and one unstripped processed with a HPF or something? Never heard of that one, could be interesting :)

Unfortunately no GP files, but I do think the bass is played well and we took a lot of time checking tunings
 
Amazing dude, thanks a lot !

Sorry about the bass, I wasn't saying it's played bad or anything like that.
It's more of a tone issue ; the lows are sounding pretty big, but to my ears it lacks something in the mids and highs/air region, sounds a bit muffled. EDIT : is that a P-Bass of some sort ?
It's just after a quick listen anyway, I'll check that more in depth when starting to reamp...etc (and that's why I like having bass MIDI too, to A/B with real DI while sending it to my reamp chain).

About the toms processing, I first heard of this in the Kurt Ballou creative live course.
For any tom track :
- duplicate it
- HPF one track version to taste (~600 Hz is a good starting point), to keep only the attack. Let's call this track TOM HI.
- LPF the other track to taste (around 2-300 Hz) to keep only the sustain in the lows. Let's call this track TOM LO.

Now, you can do your normal manual gating / strip silence and fades, based on these 2 tracks.
TOM HI track can be very short, especially at the end of a fill, because all you need on it is stick attack (a tom don't have a lot of sustain in the mids/highs anyway).
TOM LO track can sustain way longer, even after the end of a fill followed with a crash hit, avoiding any cymbal bleed because of the LPF.

That way, you can have tom tracks that sustain long enough without ugly cymbals bleed.

A simpler and quicker option to do this is to use multiband downward expansion on a single track (the "Nolly gating trick"), allowing the highs to pass through for a specific time, only when a tom hit occurs.
Very useful on snare tracks too.
But I don't know any other plugin than Fabfilter Pro-MB to do this and I don't have it...yet (if someone knows about a cheaper alternative?)
 
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Fucking epic man, thanks for sharing the files! I rarely download files anymore here, glad there are still guys doing great work!

Sweet song, totally up my alley.
 
Here is my try : https://dl.dropboxusercontent.com/u/6120012/Studio/Masters/NEPHYLIM/NEPHYLIM The Fallen 0127 Mix1 (MASTER).mp3
It was a lot of work, but also a lot of fun to work on this !
The song is really well written, very catchy and efficient.

I will proudly use this to promote my studio, if you're OK with this Martijn (with all the crediting stuff, of course).
But first I would love to hear some feedback from you guys, and try to improve my mix as much as possible.

EDIT
Updated version : https://dl.dropboxusercontent.com/u...PHYLIM The Fallen 0202 Mix1 Rev1 (MASTER).mp3
 
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