Hey ppl, I've tried this beloved and tested method for heavy guitars for the first time.
I had a 6505 with the 6505 4x12 cab and 2x 57's, the difference was I miced different cones with the both mics, but one with 45 degree angle and the other one directly towards cone.
First impressions is that you really need trebly sound to make the fredman style micing sound at it's best, to my experience you really needed to dial really bright sound on the amp, search for the brightest position with each mic but it will still not be as bright as the amp sounds in the room.
I've got a pair of questions tho, maybe someone could clear them out or direct me for better recordings!
One thing is that the master volume of the (at least this) 6505 was the knob of the amp that changed the character most dramatically, when increasing volume it got more and more dull/middy and all the high frequencies required for the fredman style was gone, even if I had both the treble and presence control turned up max.
The settings of the amp was approx high = 10, presence = 10, mid = 3 low = 2, rhythm channel and gain on max and master on about 4. Pickup was emg 81
I experienced that the cab could definently take more volume to get more chunk, but on the behalf of the beloved treble from the amp... which was my main concern. Anyone got any approaches on this?
doesn't really matter in the end... it sounds friggin awesome when the mic's are in place and the phase is right. But I think the cab definently sounds better at a bit higher volume..
Here is a sample, what do you think? A comment about the mix would be cool also...
http://www.megaupload.com/?d=G5ID6RNT
I had a 6505 with the 6505 4x12 cab and 2x 57's, the difference was I miced different cones with the both mics, but one with 45 degree angle and the other one directly towards cone.
First impressions is that you really need trebly sound to make the fredman style micing sound at it's best, to my experience you really needed to dial really bright sound on the amp, search for the brightest position with each mic but it will still not be as bright as the amp sounds in the room.
I've got a pair of questions tho, maybe someone could clear them out or direct me for better recordings!
One thing is that the master volume of the (at least this) 6505 was the knob of the amp that changed the character most dramatically, when increasing volume it got more and more dull/middy and all the high frequencies required for the fredman style was gone, even if I had both the treble and presence control turned up max.
The settings of the amp was approx high = 10, presence = 10, mid = 3 low = 2, rhythm channel and gain on max and master on about 4. Pickup was emg 81
I experienced that the cab could definently take more volume to get more chunk, but on the behalf of the beloved treble from the amp... which was my main concern. Anyone got any approaches on this?
doesn't really matter in the end... it sounds friggin awesome when the mic's are in place and the phase is right. But I think the cab definently sounds better at a bit higher volume..
Here is a sample, what do you think? A comment about the mix would be cool also...
http://www.megaupload.com/?d=G5ID6RNT