drawntoblack
Active Member
Dead Alone, Evil in a Closet (one of my all time favourite IF songs), Discover Me Like Emptiness and In Search for I are my top picks from STYE.
Hahahahahaha you fucking retard, what's wrong with you?Poor Indian guy!
Dial 595 is actually there for safety. You dial that number a STYE stops playing so you can escape the terrible production and bunch of nu metal songs.
Hahahahahaha you fucking retard, what's wrong with you?
The intro is the best part of the song. Up until 22 seconds it's promising, then it takes a fucking nosedive the stuff between 22 to 44 secs isn't awful but should have been cut in half, and that Bottled riff can fuck right off
I've only listened to the album twice, so my opinion may change with time. But for now, I say it's a pretty mediocre record. Better than ASOP, sure, but that's about it.
My biggest disappointment on the record is probably All For Me. It started out very promising and then turned to shit very quickly. It's somewhat amusing now when I think about it... I actually let out an audible sigh while listening to All For Me. Among the others I don't like are Deliver Us, Liberation, Ropes and The Attic. There are some parts on this record that really disgusted me to be honest, which are nearly all vocal parts. I wish Anders would keep those really poppy, shitty vocals out of In Flames and just make another Passenger record. There is some good guitar work scattered throughout SOAPF, but not a lot that really jumped out at me.
The high points for me are A New Dawn and Jester's Door. Say what you want about Jester's Door -- at least it's unique. Plus, I think it's a good segue for A New Dawn (which is easily the best song on this offering). The title track, Where the Dead Ships Dwell, The Puzzle, Darker Times, Enter Tragedy and Fear is the Weakness are pretty "meh" to me, but not terrible. I could take them or leave them. I probably wouldn't dislike The Attic so much if I felt that it had a payoff. It seemed like a very anti-climactic song to me.
As I said, my opinion MAY change, but I'm not expecting it to, mostly because I don't really plan on listening to this album all the way through much more, if at all. There just wasn't enough that held my attention to warrant more listening.
The album seems to build on a contrast between more "inspired" or "melodic" passages and simple but hard-hitting riffs (or the "Bottled riff" you keep referring to) and it's not just in All For Me.
For example, the chugging riff in Deliver Us, right before the first verse, is very simple, but it hits extremely hard after the complex lead work introduced in the intro. It's not that Bjorn couldn't think of a good riff or melody for it, it's that the contrast between melody and rhythmic aggression works there. The melody is a build-up, while the chugging riff is the "crash", the "result".
Hell, it also happens in "The Puzzle", after the second chorus, which is fast-paced and full of subtle melodies that back up Anders's screaming, and then right away it delves into a power-chord/chugging combo. Again, I don't see how the song would be better off without that chugging section. It plays on the strong sense of rhythm that In Flames has been working on since Clayman.
To use an older example, even Only For the Weak does it, right before the first verse. That was the first riff I ever learned on guitar back when I sucked at playing. But it's powerful because of the melodic opening right before it.
And it's the same thing in All For Me, except I think it's more powerful there, and that's why it's my favorite track. It doesn't have to be melody all throughout, or consciously avoid using "nu-metal" riffs. I'm not trying to convince anyone that they should change their mind about the song or that facet of In Flames' sound, but I just want to point out that In Flames just seems to be working the dynamics between melody and aggression to their fullest on SOAPF.
Beardman's back. miss me?
I thank you for this pleasant time we've spent. I salute y'all.
Spain
I see a lot of people saying how "the production is perfect". How the fuck is it perfect when you cant even hear the guitars properly in 80% of the time?
I just want to point out that In Flames just seems to be working the dynamics between melody and aggression to their fullest on SOAPF.
Beardman's back. miss me? ;D. But seriously, this forum has gone through some crazy shit, beards, cocks, dreads, old vs new, etc. Krofius, A88, DE4life, TheCharade, and many more, I thank you for this pleasant time we've spent. I salute y'all.
P.S. : New idea, whenever ending a message, put the name of your country so that we can see just how far IF has gone. I'll start.
Spain
A88 said:Well, it's not over yet I hope. I've just been called a retard and about to have a WWF fight with Krofius, DE4life is hunting me because I made him download emo album (and he actually LOVES Bottled)...and as if that wasn't enough, everybody seem to adore All for me which is basically ASOP all over again.
I don't really agree with anything you said there, sorry I just think AFM is a stinker, but you've been able to explain why you think it's a good song so fair enough. Different opinions and all that jazz
I see a lot of people saying how "the production is perfect". How the fuck is it perfect when you cant even hear the guitars properly in 80% of the time?