Interestingly enough, on Shure's site they have a frequency chart for the Beta91, which shows what you were saying in previous post about the "smack" that the mic gives you right off the bat.
Huge hump in the high-end, surely that'll give you a nice starting point of a click to shape into what you really need. Suddenly I find myself curious to try this out. However, I wonder if I'll really like it since I prefer to mic up the portion of the head where the beaters contact to get my attack for clarity and definition. Usually what I'll do is mic that with the Beta52 and also use a SubKick to get all the thump, and blend the two together to get clarity and the click, coupled with the woof from the SubKick = beefy bass drum. But if I understand you correctly, the Beta91 does this all in one mic...very interesting.
I think a "shootout" is in order for this LSD, do you have any other kick mics such as the traditional Beta52 or D112 or anything? I would love to hear the same kick mic'ed with both to see what the difference is.
~e.a
Huge hump in the high-end, surely that'll give you a nice starting point of a click to shape into what you really need. Suddenly I find myself curious to try this out. However, I wonder if I'll really like it since I prefer to mic up the portion of the head where the beaters contact to get my attack for clarity and definition. Usually what I'll do is mic that with the Beta52 and also use a SubKick to get all the thump, and blend the two together to get clarity and the click, coupled with the woof from the SubKick = beefy bass drum. But if I understand you correctly, the Beta91 does this all in one mic...very interesting.
I think a "shootout" is in order for this LSD, do you have any other kick mics such as the traditional Beta52 or D112 or anything? I would love to hear the same kick mic'ed with both to see what the difference is.
~e.a