Well, Fear Factory's Demanufacture came out in '95 and it's still one of the best productions I've heard in metal.
Totally agree.
Same goes for the black album, and that came out in 1991. Vulgar Display and Far Beyond Driven were 92/93... Both still sound great. Burn My Eyes was 1994 too...
'Yes' were doing some amazingly produced stuff as far back as '83 (ok, it's not metal as such but still). listen to anything from '90125'.
I think "back in the day" would refer more to opeth being relatively new and inexperienced, with a lesser budget (compared to the position that they are in now), rather than 1997 being a long time ago.
Andy was already making incredible sounding records back then. IIRC, Pissing Razors, Skinlab and Napalm Death ('inside the torn apart') were all done around 1997/98.
Also Carcass' Heartwork, to this day I can't really believe that record is from '93. Fuckers got a time machine I swear.
IIRC, that was from an interview in Guitar World right around the time Deliverance came out, if anyone wants to find the exact quote.
I can only imagine how un-saturated the actual tone they recorded with is, because the palm mutes don't sound "right" at all, and no amount of layering is going to change how the amp actually reacts. While I'm partial to less saturated tones in general, I don't think Mikael's "Jeff Beck tone" description could be too far from the mark there! I do like the thickness of the guitars as a whole, but a chunkier tone would have been more appropriate for that style.
I'll have to go back and listen for the Autotune thing...
The booklet for my copy of BWP says "Engineered by Opeth, Steven Wilson and Fredrik Nordstrom".
In the song Dirge for November in the beginning (where you can hear the vocals pretty clear) at 0:06min on "..where", he 'warbles' a little.
I just think it's the notes he struggles with when sustaining, not really an autotune problem...although it does kinda sound like an autotune edit.