Well I think STYE could also stand to be improved and Jesper was very involved with that one as far as I know (correct me if I’m wrong though). They got lucky that they were on the upswing. IMO the production did not boost their popularity, that was due to other factors. But they might have attributed their success to that. Maybe they still do. They just take way too many risks with their sound that don’t pay off and even if they did the pay off would have been minimal.
Now on ASOP I could very well see the band telling Jesper essentially “shut up and play — you’re unreliable and don’t get any opinion any more”. Jesper acts like an asshole, band reroutes, Jesper gets more depressed on the margins but is also bound by the golden handcuffs.
It's mainly the drums on STYE that are the problem imo. The vocals are well mixed and the guitars sound consistent throughout the record. Anders sounds powerful but not so much that the melodies are hidden by the vocals. The leads and riffs are clear, even if the actual tone of the guitars is a little different to the previous releases. The main issue with STYE, other than drums, is that at times the music doesn't sound as powerful as it should. You only hear that oomph when the songs are played live. Anyway, we can disagree with how they chose to produce the record, but at least it sounds professional. ASOP has a lot of inconsistencies which bug me. Especially some melodies being drowned out either by the terrible choice of guitar tone or Anders' vocals. I really struggle with it.
With ASOP I can’t hear shit and the lead guitars are even keyboard like at times.
Funny you should say that, I was listening to "Eraser" off the EP today and had a similar thought. It's one of the best modern IF songs imo, but god damn that guitar tone drags it down a few notches. At times it does sound more like a fucking keytar than a guitar, and that sucks because Eraser has some killer melodies.