Yes im dead serious. He sounds good as long as he don't go above G, then he open his vowels and gets flat, if you can't hear that then you need to improve your hearing. He has also lost the quality of his signature tone. The ease of the high notes and the natural compression he in his voice had until Train of thought. I think he sounded awesome on Metropolis pt2 and SdoT, which just sounded like a more mature Labrie, then he kept his vowels closed in a nice way so he stayed in pitch, and i love the vocals on those 2 albums. But after that it all went downhill. He butchered In the name of God which is an awesome song except his vocals. I can go on and on..
The last time he vowed me was in Chaos in motion on In the presence of eneymys pt2. when he glides from headvoice to chest which was really cool. So some thing he for sure developed these last years but still he us just a shadow of what he once where.
I understand what you're saying, and hear what you're talking about as well. I also know he's not as good as he used to be in the 90's or on Six Degrees, but I still think his newest solo album and this newest DT release features some of his best vocals he's done in years. My comments didn't mean that I think he is just as good as he used to be, but rather he has improved immensely over their last few albums.
I'm not a Labria d-rider, but to say he's the sole cause of their musical degradation just seems a bit shortsighted or narrow-minded. On older DT albums, I used to be constantly wowed by Petrucci's guitar riffs, solos, ... chord voicings. The keyboard/piano parts were inspiring and very melodic. The drums were natural feeling and everything seemed to 'click' together in the mix. But on their last few albums it just doesn't seem like that spark is still there musically for any of them. I was hoping that Menghini being in the band would help re-fuel their fire, and it sounds like a very good attempt. Is it IWaW2? No. But it does have a more musical and prog. feel to it than other stuff they've done lately. While Labrie's vocals aren't as good as they used to be, he has improved on what he's done in the last 7 years or so. I can't say that about Rudess, or Petrucci, as all their parts sound bland, uninspired, and boring. HOWEVER, I do enjoy quite a bit of John's playing on their new album, but the vocals are the catalyst for me as to what makes this new album good.