After listening to the album in it's entirety today, I can honestly say I love it. This is seriously the best thing they've done since 'Scenes...' in my opinion. I think we're all forgetting that music is subjective. Nothing is going to be better than the first few albums from an artist we love.
My wife's first exposure to DT was with Octavarium, and she doesn't like any other album prior to that one. It's just a matter of preference and how we connected and how we felt with a specific album. I thought Octavarium was good, but there weren't any albums of theirs in the last 14 years that really did anything for me. Until now.
No, this isn't I&W 2, but I think the feeling the album has is reminiscent of classic DT from the 90's. It just has that vibe in the songwriting and performing. Is it as good? No, not to me, but this is still a damn good album, and better than their last couple efforts.
As far as the mix is concerned, I don't see why so few like it. If you go back and listen to order DT albums, they all have this sort of raw sound to them. I guess we are all used to Sneap productions with punchy as hell drums, or other productions that are compressed and limited to hell and back.
btw.. Labrie is the only reason why they have degraded musically. I think Petrucci and company have to adjust the vocal melodies because of Labries dimineshed range
And Labrie is like the biggest inspiration to me, its so sad to see him get so bad..
Are you serious? Have you not heard Labrie's 'Static Impulse' solo album? I think Labrie's vocals have improved many times over. How can you say something like that, and NOT address the same fact towards Rudess and Petrucci and there incessant meaningless noodling, or uninspired bland riffs? I know vocalists' ranges usually diminish with age, but the same could be said for Halford, Dickinson, Tate, etc. I can't tell if you're being serious or not. But you clearly haven't heard the last couple DT albums if you're just now stating this as your opinion. Labrie's vocals on this new album, and on 'Static Impulse' are breathtakingly amazing. Seriously, wtf.