new nickelback (dark horse)

I hope this will be the last post in this thread, and I am personally at a loss for words after listening to the first song on Nickelback's latest album. Gentlemen, a preemptive strike is necessary. How in the Christ could anyone actually..................sigh..............ah what's the point? The production on Highschool Musical 3 was also top notch.

Below are the lyrics to the first song off said album.


got to meet the hottie with the million dollar body
they say its over budget but you'd pay her just to touch it come on
needs to hit the big screen and shoot a little love scene
if hollywood had called her she'd be gone before holler her come on

pretty little lady with the pretty pink thong
every sugar daddy hittin on her all night long
doesn't care about the money she could be with anybody
ain't it funny how the honey wanted you all along

(you naughty thing)
your ripping up the dance floor honey
(you naughty women)
you shake your ass around for everyone
(your such a mover)
i love the way you dance with anybody
(the way you swing)
and tease them all by sucking on your thumb
your so much cooler when you never pull it out
cuz you look so much cuter with something in your mouth


crafty little lip tricks
tattoos on her left hip
she bending as your spending
theres no ending it so baby come on
dressed up like a princess
bettin' that her skin smells better
than the scent of every flower in the desert come on


pretty little lady with the pretty pink thong
every sugar daddy hittin on her all night long.
doesn't care about the money she could be with anybody
ain't it funny how the honey wanted you all along

(you naughty thing)
your ripping up the dance floor honey
(you naughty women)
you shake your ass around for everyone
(your such a mover)
i love the way you dance with anybody
(the way you swing)
and tease them all by sucking on your thumb
your so much cooler when you never pull it out
cuz you look so much cuter with something in your mouth

she loves the night scene bar queen
living for the fun taking over every dance floor like shes the only one
in the spotlight all night dissing everyone
trying to look so innocent while sucking on her thumb

your so much cooler
when you never pull it out
so much cuter
with something in your mouth

(you naughty thing)
your ripping up the dance floor honey
(you naughty women)
you shake your ass around for everyone
i love the way you dance with anybody
(the way you swing)
and tease them all by sucking on your thumb

(you naughty thing)
your ripping up the dance floor honey
(you naughty women)
you shake that ass around for everyone
(your such a mover)
i love the way you dance with anybody
(the way you swing)
and tease them all by sucking on your thumb
your so much cooler when you never pull it out
cuz you look so much cuter with something in your....

OK. srsly. woaw.
here's a song i wrote a few months ago. CONTRAST AND COMPARE.

CHEESE STEAKIN'
WE BE CHEESE STEAKIN'
CHEESE STEAKIN'
WE BE CHEESE STEAKIN'

I called my nigga BRADY and said "yo come outside,
we gots to go downtown, so hop in dis RIDE.
we goin' to da restaurnt with them cheesy-ass steaks
gonna stock up on them shits and stuff yo face!"

so we cruized on down the street
two killaz on the prowl
straight up chillin' like a blizzard
gonna eat a whole fuckin' cow

pulled up in the parking lot
tryin' find a spot
some oldass faggot cut me off
and nearly got shot

got up in the restaurant
and found a place to sit
ordered up some STEAKY-STEAKS
WITH THE CHEESE ALL OVER IT

CHEESE STEAKIN' (nigga)
WE BE CHEESE STEAKIN' (nigga)
CHEESE STEAKIN' (nigga)
WE BE CHEESE STEAKIN' (nigga)
(nigga) (nigga) (nigga) (nigga)
CHEESE STEAKIN' (nigga)

all that meltin' cheese
meltin' our minds
tastes so good so delicious
we lost track of time

the record was set,
we can't EVAR be beat
these two straight gangsta macks
ate 12 cheese steaks each

so i called my nigga MIKE STONE
from them trillass TAMPA BAY
that fool said he eat 12 EVERY DAY
wuuuuuuuuutttt

CHEESE STEAKIN' (nigga)
WE BE CHEESE STEAKIN' (nigga)
CHEESE STEAKIN' (nigga)
WE BE CHEESE STEAKIN' (nigga)
CHEESE STEAKIN' (nigga)
WE BE CHEESE STEAKIN' (nigga)
CHEESE STEAKIN' (nigga)
WE BE CHEESE STEAKIN' (nigga)
(nigga) (nigga) (nigga) (nigga)
CHEESE STEAKIN' (nigga)
(nigga) (nigga) (nigga) (nigga)
CHEESE STEAKIN' (nigga)


ALL Y'ALL NIGGAZ SEE THE CHEESEE STEAK SAY YEEEAAAHHH!!!!! (YEEEAAAAAH!!!!)




copyright 2008 sloan


so basically, based on songwriting skill, i should be making at least, if not more, money than the band Nickelback.
 
HHHHHHHAhahahhhhahhaahahahahahahahhahaa, once again, nothing more need be said (though I think my favorite part is "copyright 2008 sloan") :lol: And yeah, I can totally see "Cheese Steakin'" being the newest club jam :D
 
OK. srsly. woaw.
so basically, based on songwriting skill, i should be making at least, if not more, money than the band Nickelback.

I don't know about that, but it was definitely on par with 99% of popular hiphop/rap or whatever you call that stuff. I'll take Nickelback lyrics any day over somebody saying stuff like "this is why I'm hot, I'm hot cause I'm fly, you ain't cause you're not." Seriously, wtf?
 
My bitterness towards (a lot) of pop comes from the people I've known (directly and indirectly) whose goals always struck me as the equivalent of a scientist toying with rats (the masses that listen to this stuff) and experimenting with the right types of cheese (music) that will satisfy them the most, until their fickle fancies tire of it and its time to find another; it just all seems so...fake, and as I said above, insidious, in how disrespectful it is to music in general, placing its money-making value over anything else.

Pop and Rock are about creating little 3 minute dream bubbles for the everyday people who just listen to the radio on the way to work or when they put makeup on to go out. Good pop lyrics need to connect the real lives of those people to some image that they know and want or know and don't want, but can relate to. And Nickelback do that better than anyone else (outside of the country music world).

Most of you guys who are bitching and talking shit about Nickelback need to understand that they are not doing music as an art, but as a money making machine. It's the music BUSINESS and not the music art collective and Nickelback are at the top of the foodchain generating squillions of dollars.

Not judging you dude, or saying that you're an example of the person I'm mentioning, but thank you for proving my point (in my eyes, anyway). However, I still admit that there's no reason it should aggravate me as much as it does, except that the aforementioned former best friend in HS who I would always write music with started shifting more and more to the above mentality as the final criterion for a songs worth, rejecting my ideas because they didn't couldn't "sell," and then pretty much adopting that as his lifestyle choice once he went to college.

And I also recognize that it's time I moved on and stopped giving him power over me by letting these things get to me so much, so this thread has been quite the cathartic experience, and Jeff, I thank you for calling me out on it and really making me realize it :)
 
hey, it potentially gets worse lads:

I wanna do it till the sun comes up
until we're both so good and sweaty
that we can't stand up
I wanna do it till we're both about to drop
as long as we're tied up together
then we're never gonna stop

I wanna go until the neighbors all complain
because they heard somebody screamin'
and they think we're both in pain
I wanna go so long your parents think you've died
there gonna call the cops, the CIA, and then the FBI

I wanna cover you with jello in the tub
we can roll around for hours without ever comin' up
i want you naked with your favorite heels on
slap John Deere across my ass
and ride me up and down the lawn
 
Splat: those are perfectly fine pop/rock lyrics about a night out and a hot chick in a club/bar. A lot of their fans will listen to this and think, "damn, I know a hottie just like this and I wanna be cool like Chad Kroeger and put my lil something in her mouth, too".

Most of you guys who are bitching and talking shit about Nickelback need to understand that they are not doing music as an art, but as a money making machine. It's the music BUSINESS and not the music art collective and Nickelback are at the top of the foodchain generating squillions of dollars.

First of all, no disrepect is intended to you, smy1, I'm just engaging in the discussion. Sure, the lyrics are fine for the pop sort of stuff, and they may not be making music as an art form, but you would think Nickelback would like to command respect among musicians to go along with their huge success. I'm sure there are some musicians who appreciate this type of stuff, but I would estimate that the vast majority would find it to be laughable. I take a song like the one I mentioned about as serious as Warrant's Cherry Pie. Ask Jani Lane how he feels about writing that little number.

From wikipedia:
Lane would later express his views about the song and the album on the broadcast of VH1's HEAVY: The Story Of Metal - Episode 3: Looks That Kill, stating that "I could shoot myself in the fucking head for writing that song."
 
For you guys who dont wanna put the hours listen in, heres what we've got in this installment:

1. Sleeze tune about the women you're never going to get
2. Drunken epic about burning everything down in your pathway
3. The search for the perfect bitch (this ones got some heavy U2 beats)
4. Chad attempting to save his relationship after cheating on his mrs
5. Hardcore shagging, jelly is involved this time...
6. Drug Addiction (ah, knew it was coming!)
7. U2 guitars here, a little song about being with some chick forever and living life to the full
8. Expensive whores
9. nother' one of chads rape songs
10. Living life to the full again
11. Bob Marley days of bumming around, bonging weed and heavy drinkin'

Production is beatiful though, some beastly layers and lovely drums. Guess you cant knock the Kroegers vocal either!
 
Metaltastic & Splat:

No disrespect taken! I see where you are coming from and I think it's a noble and legitimate view. It is just far away from Nickelback and/or the popmusic business :)

I am personally a total pop guy. I grew up with Michael Jackson, Beastie Boys, Slayer and Morbid Angel, but am not ashamed of writing the most mundane lyrics if they fit the bill. I am currently writing/producing a song for a German Top10 poprock act and it's total cheese. Do I still like it? Yea. I mean, I really like it. Otherwise I wouldn't write it. And if you are Chad Kroeger, selling platinum in every country, you don't really care about musician's opinion anymore. Otherwise you would have started a weirdo progressive rock band in the first place ...

Always remember: pop music = popular music. That means a lot of people like it because it makes their lives better, happier, more exciting or more emotional. Who are we to look down upon that and call them the "unwashed masses" (non of you said exactly that) just because we have more knowledge about music production?

To me the best songs are those that touch people, no matter how simple or complicated.
 
I like the album, I think it's killer. These guys are very consistent. I grew up with glam rock in the 80s, so cheese is a part of my musical diet, and this is good cheese from Canada.

As for the song mashup issue - I remember the band addressed this and said that they intentionally wrote "Someday" to be similar, because of a web poll they had on their site about what people's favorite song was from the previous album at the time. Logically, since this is a mainstream band, most of Nickelback fanbase loved the radio hit "This Is How You Remind Me." It's a continuation of the same thread lyrically and musically, in that sense is it really different than Dream Theater doing Metropolis pt. II?

I guess I'm in the odd position of defending Nickelback, didn't see myself doing that. It's easy to make fun of them, but in reality very few of us could do what they do. I spent a couple of years going toward a more mainstream sound with a previous band, trying to get a major label deal, etc., and I found that it wasn't for me. In 2005, I realized it was time that I fully embraced who I am as a person with my music, and stay true to my roots.

I also think that Nickelback are writing honest music that they believe in as well, and they just happen to write more mainstream-friendly stuff naturally.
 
just got the CD in the mail today from Monte at RR.... this CD is a formidable slice of top notch hard-rock production and mixing. Staub proves once again that he is the mother-fuckin' man, and both Chris Lord-Alge and Mike Shipley contribute great mixes as well. Albums like this, whether you profess either love or disdain for the artist and their music, are benchmarks for the heavy rock production milieu. love it or hate it as you will, but you can't dismiss it.
 
just got the CD in the mail today from Monte at RR.... this CD is a formidable slice of top notch hard-rock production and mixing. Staub proves once again that he is the mother-fuckin' man, and both Chris Lord-Alge and Mike Shipley contribute great mixes as well. Albums like this, whether you profess either love or disdain for the artist and their music, are benchmarks for the heavy rock production milieu. love it or hate it as you will, but you can't dismiss it.

+1 :kickass:
 
just got the CD in the mail today from Monte at RR.... this CD is a formidable slice of top notch hard-rock production and mixing. Staub proves once again that he is the mother-fuckin' man, and both Chris Lord-Alge and Mike Shipley contribute great mixes as well. Albums like this, whether you profess either love or disdain for the artist and their music, are benchmarks for the heavy rock production milieu. love it or hate it as you will, but you can't dismiss it.

AMEN TO THAT BROTHA!
 
just got the CD in the mail today from Monte at RR.... this CD is a formidable slice of top notch hard-rock production and mixing. Staub proves once again that he is the mother-fuckin' man, and both Chris Lord-Alge and Mike Shipley contribute great mixes as well. Albums like this, whether you profess either love or disdain for the artist and their music, are benchmarks for the heavy rock production milieu. love it or hate it as you will, but you can't dismiss it.


amen james. from the first note (which blew me away) def one of the best rock mixes i've ever heard. i thought "all the right reasons" was gangsta, this is like super gangsta. this is up there with APC 13th step as far as i'm concerned.
 
Not rating this album except that I love the production on this...any chance we can actually disect the album? The drums, bass, and guitars on this. Really intersted in the bass especially. I hear that Shipley uses synth bass under the real bass for more control.
 
I agree far too much with Metaltastic.

I truly hope that I never have to listen to anything half as asstastic as Nickelback for any reason at all. I understand that some here need to hear cutting-edge mixes to be inspired and 'with it', but listening to Nickelback for the production is like eating a shit-on-cumstain sandwich because it was toasted in a $5000 oven.

Jeff

Hahahaha. Best analogy ever.

Nickelback is fucking terrible. Good production does not make good music, and it never will... I don't care how big the budget is or who is working on it. The production means jack shit to me if the music is this pathetic...
 
Staub is very much the lord of all hard rock mixing. The power and presence of his mixes on the new one are almost unreal. I have never heard 'rock' production done to that degree of perfection. It is amazing to hear someone like CLA's mixes get dwarfed by the absolute power of Staub's drums. I mean... what does he do? Do we mere mortals even have the facilities to comprehend what he does with his mixes?

I really do miss the walls of rectumfrier though. I'm not overly down with the idea of 'drum n vocal' mixes.