Opeth Lyrical Analysis

cityofthemoon666

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May 25, 2003
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I just thought it would be intersting to get a thread going in which we offer our own interpretations of Opeth's Individual songs, sort of excluding the obvious like MAYH and Still Life and The Night And The Silent Water, which most of us know.

I have one for "Wreath", i was reading the lyrics and listening to the song and i thought the lyrics were really descriptive and have a lot of seemingly randomn images eg "Their eyes are dead, watching myself in a pool of water,, wearing the mask of a ghost...rotten earth and insects...bleeding animals in a field of fire" etc, i think that with the opening few lines he is setting it up that the character is descending into a nightmare of some sort "falling inside again, nightmare always the same, still never enough, halting at the brink of discovery" i think these lines mean it is a recurring night mare and the subject always wakes before the nightmare has reached an end and he is longing for an end. Also to supprot this the line "old memories, im not in need but wish to know" which could mean how dreams draw on experiences in the day also the "familar childrens voices, dissonant and out of time" which is like the dreamy quality and how u may hear music but cant recognize what it is etc.

anyway, the character then moves through the dream as he has before, through the sequence of images until "dust covers my coat, blend together to spell my name" and "twisted perception come true" means he has come to a point he has not seen before and in fact he is witnessing his own death in the lines "sole provider of death....to....captured in dreams connected" and once his dream is fulfilled he returns from his slumber the last "end of a search, coming of morning, returning"

anyway, something along those lines, ill try to come up with more
 
I just bought Deliverance today...I agree with your Wreath analysis. The Drapery Falls is a little similar I think,just a bit more cryptic.
I don't want to take someone else's credit,since this is not really my idea,but anyway that someone said that in The Drapery Falls the clean vocals in the beginning are an introduction,and the person is still awake during those...then through the lines "Pull me down again,and guide me into..." we move into a dream/nightmare state. I can't remember any of the descriptions for the dream part,but then our person wakes up again as the last clean vocals "Waking up to your sound again,and lapse into the ways of misery" come in. Gives me the idea of this guy who's totally bored of life and yet again,wakes up next to his wife/girlfriend/dog. :)
 
I don't care if this has already been said a million times, but I think about 90% of Opeth's lyrics are complete nonsense. It seems like Mikael (He does write the lyrics, right?) just picks one general thing to write about, like loss, death, anger, or depression, and just throws a bunch of lines together that sound cool. Tons of bands are guilty of doing this. Sometimes the lyrics really don't make ANY sense, like the chorus to Godhead's Lament. I would bet everything I own that no one can give a good analysis of what those 4 lines mean.
 
I think he means this verse:
"Sly smile, poisoned glare behind
Undisguised manmade nova
Mute cry, don't dare to tread
Searing beams tracking you down"

Not sure though...
 
Well, if it is that verse, it still kinda makes sense....the protagonist searching intently for Melinda. And someone who is two faced (Melinda?) - a sly smile, and then a poisoned backward glance? I'd have to get the lyric sheet to put it in context, but that verse still seems to make sense to me.
 
Wolftribe said:
i think anyone who believes that 90% of Mike's lyrics are nonsense does not know what they are talking about...

I should be allowed to not like one thing about Opeth, that happens to be it. Anyone's welcome to try to prove it wrong.

Actually, I've thought about it a little more, and 90% is way off. 60-70, maybe.
 
I can almost see the Deliverance album as a concept of sorts. It's a little bit of a stretch. The Wreath analysis from above is good. There's a guy, and he has a need to kill. He ends up killing his loved one in Deliverance. A Fair Judgment is about how he deals with what he's done. For Absent Friends, although it has no lyrics, is another lament for what he's done. In the beginning of Master's Apprentices, the guy's talking about his condition and his need to kill. In the soft part of the song, he's breaking free of his sickness, but when it gets heavy again he's fallen back into his awful state. For the final song, he's clearly dead and speaking as a ghost. He talks about being with the loved one he murders. If I had the book in front of me, I could go into greater detail, but that's what I got from trying to put together the album. Any thoughts? Please don't give me bullshit like. "NO D1 ISN'T A CONCEPT" I know Mike didn't write it as one. It's just my interpretation.
 
MasterOLightning said:
I can almost see the Deliverance album as a concept of sorts. It's a little bit of a stretch. The Wreath analysis from above is good. There's a guy, and he has a need to kill. He ends up killing his loved one in Deliverance. A Fair Judgment is about how he deals with what he's done. For Absent Friends, although it has no lyrics, is another lament for what he's done. In the beginning of Master's Apprentices, the guy's talking about his condition and his need to kill. In the soft part of the song, he's breaking free of his sickness, but when it gets heavy again he's fallen back into his awful state. For the final song, he's clearly dead and speaking as a ghost. He talks about being with the loved one he murders. If I had the book in front of me, I could go into greater detail, but that's what I got from trying to put together the album. Any thoughts? Please don't give me bullshit like. "NO D1 ISN'T A CONCEPT" I know Mike didn't write it as one. It's just my interpretation.

Although my first thoughts were "NO D1 ISN'T A CONCEPT", it actually made some sense to me. Nice one.
 
Zivilyn said:
I don't care if this has already been said a million times, but I think about 90% of Opeth's lyrics are complete nonsense. It seems like Mikael (He does write the lyrics, right?) just picks one general thing to write about, like loss, death, anger, or depression, and just throws a bunch of lines together that sound cool. Tons of bands are guilty of doing this. Sometimes the lyrics really don't make ANY sense, like the chorus to Godhead's Lament. I would bet everything I own that no one can give a good analysis of what those 4 lines mean.
i think i read an interview where mikael said something like that
 
osse87 said:
I think in Master's Apprentices the main character is dying. And before the song ends he's (she? ;) ) is dead.

I really don't think that it's about dying,but that's fine cause people interpret songs differently...I guess I just have a lighter approach on that song.

The first set of lyrics where every line begins with "There is" (well except the "A sickness in me..." verse in between) is describing this person and I can relate to a lot of it...for example "There is a peace I'm searching,There is a freedom I'm depending on." After that it just sounds like a guy who has gone through something traumatic and feels drained and hopeless,helpless.
The last 4 lines are what give me the sense of the character not dying. "Pacing roads unknown,Searching for a new home" just sounds like he's leaving his past behind and trying to find a new meaning to his life,but there's still a reminder of his past inside him "Desert in my eye,Barren lands inside."