- Jan 21, 2010
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I've got a question that anyone (preferably Joey...haha) could elaborate on.
How exactly do you go about drum parallel compression? It's been touched on in this thread a little: http://www.ultimatemetal.com/forum/production-tips/661544-tips-drumbus.html
I personally have my main drum bus where I EQ everything and (slightly... I think?) compress snare, hats, overheads, (smashed) room sound just to get a basic drum sound.
I then create another track (paracomp), send all the shells to it, and compress it to fuckery.
Here's what I'm curious about: Where should the paracomp track be sitting volume wise? I used to have it so it's 'there' but you can't actually hear much of a difference. Now I have it as loud as my main drums which completely alters the sound.
My main and paracomp bus/track is then sent to a final drum bus to see the level of it all together.
How exactly do you go about drum parallel compression? It's been touched on in this thread a little: http://www.ultimatemetal.com/forum/production-tips/661544-tips-drumbus.html
I personally have my main drum bus where I EQ everything and (slightly... I think?) compress snare, hats, overheads, (smashed) room sound just to get a basic drum sound.
I then create another track (paracomp), send all the shells to it, and compress it to fuckery.
Here's what I'm curious about: Where should the paracomp track be sitting volume wise? I used to have it so it's 'there' but you can't actually hear much of a difference. Now I have it as loud as my main drums which completely alters the sound.
My main and paracomp bus/track is then sent to a final drum bus to see the level of it all together.