I'm wondering if I'd have advantages to try this thing I thought of.
Well that's the same principle as parralel compression
No it's not exactly that: I take the stereo final bounce, then convert it to 100% mono.
I would really like to be able to do that. I'm using Record (Propellerhead).
I'd also like to know how to control one fader for 2 tracks but I'm kinda lost now...
...I imagine you could get the same results just by panning more towards the middle.
If you pan toward the middle, you lose a part of your spectrum.
In the case I'm talking about, you just put a little bit of bandwidth where your spectrum is more free.
The result is pretty neat, the whole song still sounds balanced but there's just a little subtle change you can't really notice.
I'll post examples soon.
Its a different way to do it, but it is the exact same thing as panning toward the center. Unless you're totally screwing with the phase somehow.