I would like to hear people's thoughts and comments on postmodernism if they would like to share. Whether you think it is malarkey or sheer brilliance I would like to know.
Methinks this is actually a very cunning and postmodern thread.
My answer is this:
.
Methinks this is actually a very cunning and postmodern thread.
My answer is this:
.
I'm in favor of objectivity, reason, and Truth (particularly the search for it) myself.
Tell me a "truth" that isn't subjective.
2 + 2 = 4
A lot of people wear shoes.
I ate Chinese food for lunch today.
any precise, unified, agreed-upon definition of postmodernism would, in fact, be contradictory to the nature of postmodernism.
I find it to be a wholly worthless concept that will lead to the downfall of humanity myself, but perhaps that's just me
Methinks this is actually a very cunning and postmodern thread.
My answer is this:
.
Can you elaborate?
I think what he meant to say is that if one examines subcultural discourse, one is faced with a choice: either reject neocultural dialectic theory or conclude that language is intrinsically dead. Sontag uses the term subcultural discourse to denote the common ground between sexual identity and sexuality. Thus, the subject is contextualised into a textual paradigm of narrative that includes art as a reality.
In Melrose Place, Spelling denies subcultural discourse; in Beverly Hills 90210 he deconstructs presemanticist rationalism. However, Sartre suggests the use of the textual paradigm of narrative to analyse and read society.
The premise of structuralist postcultural theory states that sexual identity, somewhat surprisingly, has objective value, given that reality is equal to truth. Thus, Foucault uses the term subcultural discourse to denote the role of the poet as observer.
2 + 2 = 4
A lot of people wear shoes.
I ate Chinese food for lunch today.
I think what he meant to say is that if one examines subcultural discourse, one is faced with a choice: either reject neocultural dialectic theory or conclude that language is intrinsically dead. Sontag uses the term ’subcultural discourse’ to denote the common ground between sexual identity and sexuality. Thus, the subject is contextualised into a textual paradigm of narrative that includes art as a reality.
In Melrose Place, Spelling denies subcultural discourse; in Beverly Hills 90210 he deconstructs presemanticist rationalism. However, Sartre suggests the use of the textual paradigm of narrative to analyse and read society.
The premise of structuralist postcultural theory states that sexual identity, somewhat surprisingly, has objective value, given that reality is equal to truth. Thus, Foucault uses the term ’subcultural discourse’ to denote the role of the poet as observer.