In reference to the article written by Kelefa Sanneh, published today on November 8th 2007, I wanted to express my gratitude in finally seeing some mainstream insight on a band like Enslaved. The reporter has obviously scratched beneath the surface and looked beyond the clichés riddled throughout the world of “heavy metal”.
The underground heavy metal scene is vastly misunderstood and often still considered to be a music genre which ended abruptly in the early 90’s when the “hair metal” scene imploded and grunge took its place. This can’t be further from the truth. While it disappeared from mainstream attention, it found a small following in the underground which in turn has only recently surfaced and gained wider interest with the advent of on-line communities.
Recognizing that fame and fortune is no longer a viable reward, genuine underground metal bands have focused on creating art primarily for themselves and not for a select audience or record label contract, which has allowed the genre to evolve in a much needed independent fashion. Multiple branches have emerged and a spectrum of musical styles now exist where one sub-genre may have almost nothing in common with another, and yet both still be connected to the same roots of metal. Elements of rock, jazz, folk, classical, blues, and world music run rampant throughout the family tree – all of which can be witnessed in the Enslaved discography alone – together with lyrical concepts ranging from ancient mythology through modern day real life struggle. Heavy metal is as eclectic as eclectic can be.
Again, I wanted to express my thanks. I am a 37 year old, “white collar” management consultant, working in NYC, married with two young children and have been listening to heavy metal since I was 15. I completely acknowledge the fact that I am in the minority among my peers when it comes to tastes in music, and to a certain extent, I wouldn’t have it any other way. Fans of this genre don’t feel the need to explain themselves or substantiate any argument, which is why seeing a well written article on Enslaved in NYtimes dot com is welcoming only because, while I don’t feel any need for this music to regain mainstream popularity, it is always nice to see it earn some mainstream respect.