Well, you have to remember that there really is no end all and be all of amps. Some amps excell at one thing, some amps blow hard at another. Which is why all the best sounding albums of all time have had the luxury of picking and choosing what amps to use for certain parts. Opeth's Ghost Reveries used ENGLs, Mesas, Laneys, and Marshalls at varying tracking times.
I happen to love my ENGL. It gets all sorts of tones, and destroys when it comes to high gain metal. The crunch isn't as great as a non master Marshall superlead, but thats ok, its versatility and MIDI control more than makes up for it.
Framus make great amps too, as do Bogner, Deizel, Bad Cat, Matchless, Peavey, VHT, Roccaforte, Marshall, and yes, even Crate. I still haven't been able to honestly say Krank sounds like anything I could bring myself to enjoy; our little private NAMM demo left me speechless--unable to say anything. I didn't want to offend the guy in his own demo booth
But thats just my opinion, I may be wrong.