in limbow said:
*gulp*
OK, I know I'm going to get flamed x 1000 for this but recently I've been thinking and Still Life maybe really isn't one of Opeth's best albums. (I know Liquid Diamonds at least will agree with me on this). If you do a track-by-track comparison of Still Life vs MAYH, it's easy to see which one is just altogether a stronger album.
By the way, I still do love Still Life in general, and it did used to hold a place as my favorite Opeth album. I've just been doubting that recently.
Prologue/April Ethereal vs The Moor: The Moor is an amazing song but AE has that extra something that just makes it a little bit better. Plus, Prologue is a better way to start than the beginning of The Moor (a little too long)
When vs Godhead's Lament: This is an easy one. When is surely one of Opeth's best songs, and one of their signature tunes in that it does a good job of summarizing the Opeth "sound". The acoustic parts are beautiful, the heavy parts are great, the vocals are epic, its an amazing song. Now, GL has probably one of Opeth's best moments (the part starting with the guitar solo and ending after the folksy clean vocal melody), but the verses feel tired and the part between the folk section and the end is nothing special.
Benighted vs Madrigal: Benighted easily wins this one, it is beautiful and Madrigal isn't much of a song.
The Amen Corner vs Moonlapse Vertigo: Moonlapse is terrific and I love that beautiful riff near the beginning, and the acoustic verses. Nice solo, too. This is a close one, and it's pretty much even, both are very solid Opeth songs.
Face of Melinda vs Demon of the Fall: Both are classic songs and I would rank Face of Melinda easily in my top 10 or 20 Opeth songs. However, DOTF is definitely overall better, maybe my favorite Opeth song, ever.
Serenity Painted Death vs Credence: Even though I feel it's one of Opeth's weakest "epic" songs, I would take SPD over Credence just because the latter doesn't stand out quite as much.
White Cluster vs Karma/Epilogue: White Cluster is a very nice ending to Still Life, though I think Karma is even more beautiful, with those "aaahh" vocals and some great death metal vox at the end. Plus Epilogue knocks that brief guitar interlude at the end of White Cluster out of the park.
I know it's all opinion, but I was just wondering if there's anyone else who thinks Still Life isn't quite what it's cracked up to be. Even so, it is probably a 10/10 album, just not Opeth's very best as many say.
Firstly: Correct, I will agree with you
I think whoever it was that said that it's better to compare BWP to SL is probably correct. Having read this thread, with nothing to do, I went to my trusty mp3 player and did so. And as far as I can see, BWP isn't just better.... it
SLAUGHTERS Still Life.
The Leper Affinity Vs. The Moor
Now, perhaps I'm biased because The Leper Affinity is the first Opeth song I ever heard but... if that's not the perfect way to start an album, I dunno what is. IMO, the best opening track of any Opeth record. Has everything you could want in an Opeth song: Heavy as fuck riffs, AWESOME clean vocal passage (I was like
the first time I heard it). The Moor, to me, isn't even the strongest track on Still Life. And, as I've said many times before...
IT'S AN ABBA RIP-OFF!!!!!
Bleak Vs Godhead's Lament
Bleak, easily. The main riff is better, the playing is tighter, Steven Wilson adds something cool to it. Is Still Life the record Jesus always says the did no rehearsals for? It really shows, there isn't much of a tightness to the playing of Godhead's at all. Which is a shame, because it is a very good song (well, largely).
Harvest Vs. Benighted
Benighted, to me, is the dullest full-scale song Opeth have ever done. I would quite gladly have it wiped from my memory. Nah, it's not
that bad I s'pose, but I can't be bothered listening to it, and it's the only Opeth song I can say that of. Harvest isn't exactly a highlight of BWP, but it wins this one hands down.
The Drapery Falls Vs. Moonlapse Vertigo
Moonlapse is ok, but Drapery is a stone cold classic. Another one-track summation of everything that is good about Opeth. Mike's vocals are much stronger on BWP as an album in general, especially the clean vox, and I think Drapery demonstrates that better than the other tracks.
Dirge For November Vs. Face Of Melinda
Dirge gets a lot of stick on this board, but I'd still rather listen to it than Face Of Melinda. I think at 5 mins 30 rather than 7 mins 30, FOM would be better. It just kinda outstays it's welcome. The end is awesome, but the first section is too long. Dirge has some awesome moments, and I love the gentle, beautiful intro. Gives me shivers.
The Funeral Portrait Vs. Serenity Painted Death
Finally, a victory for Still Life!!!! TFP is a fine song, but the least interesting on BWP to my tastes. The mian rif is very basic and not altogether that interesting. SPD has some blinding moments (the big huge moshworthy bit... I think it's at about 3 mins 30? not sure though, and of course 'White face, haggerd grin...' etc.). Great song, one of SL's best, even if the ending sucks balls.
Blackwater Park Vs. White Cluster
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...
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BLACKWATER MOTHERFUCKING PARK!!!!!!
Duh
BWP has the most immense groove to it. Of all the Opeth songs, this one has to have the best groove. Heavy as fuck, groovy, fucking sinister...it just blows (the passable) White Cluster off of the face of the planet.
I definately agree that Godhead's Lament has one of Opeth's best musical passages (the one you mentioned). Brilliant moment, one of the best things I ever heard. Serenity Painted Death also has some awesome bits. But overall... it just doesn't sound anywhere near as good as their other records (Morningrise excepted) to me. Production sounds like an attempt at BWP style production, but badly executed so it is in fact less appealing than that of MAYH.
Dropouts are appaling (almost as appaling as the fact that it hasn't been remastered), songwriting isn't as solid as it is now, vox are weaker than they have been ever since, idea's aren't as interesting or progressive as on any of their other records...
Overrated is an understatement...
Still an Opeth record, so I would give it maybe 7.5/10 (that's good, I'm a harsh marker)