so i was listening to all that remains' newest cd (produced by adam d), and i was listening in mono with the L side phase inverted (usually results in loud guitars and cymbals). in this mode you can often hear backing vocals.
i never quite understood how to get a vocal track into this "area" of the stereo field. cymbals and guitars always seem to show up here, but how do SOME backing vocals end up here?
im sort of convinced i've missed something to get this effect because the placement seems very well (very clear and audible in volume, yet not up front with with the main vocal tracks).
does anyone know how to get a track to "go here", or what type of treatment to a track makes it end up in this area of the stereo field?
i never quite understood how to get a vocal track into this "area" of the stereo field. cymbals and guitars always seem to show up here, but how do SOME backing vocals end up here?
im sort of convinced i've missed something to get this effect because the placement seems very well (very clear and audible in volume, yet not up front with with the main vocal tracks).
does anyone know how to get a track to "go here", or what type of treatment to a track makes it end up in this area of the stereo field?