Rock Hydra
Feel the Strain!
<-Warheart-> said:Ok I've been thinking about that Silent Night, Bodom Night sweeping passage and I thought "Why has it always brought alot of trouble to anyone that attempts to play it?????"
The answer is, the phrasing shown in the tab.
So I looked at the tab and you have a simple 3 string Emin shape moving down to Dmaj, but it starts on the B string, moves up to E and comes all the way down to the G string. Anyone that's practised sweep picking to a metronome before would know that it's easier to have the highest or lowest note on the beat so you can accent and basically just hear yourself playing in time (or out of time if you suck :zombie. This lead part, however, does not. The highest note (B) is the 3rd note in the triplet when it'd be easier on the 4th so I rearranged that bit so it IS the 4th note.
Here's a tab of exactly what I'm talking about. I've also tabbed it in half time because imo it looks better and much neater. You can quite clearly hear the whole arpeggio being played comfortably inside the beat during example 2 and GUESS WHAT, I'M FUCKING RIGHT. I just watched him play it at Milwaukee Metalfest 2000 because it zooms in on his hand and you can clearly see him throw his first finger down to the G string to play the first B note, 16th fret.![]()
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After showing you all how to play it CORRECTLYgoggly
after all these years, I wrote out the entire section for you and added in the 5 string sweeps he does during the modulation to F# minor (live version only). Obviously, if you're playing the Hatebreeder version, just repeat the first bit in F#m.
Give it a go.
http://download.yousendit.com/AF5C265C6468A19C
Here is a full band version:
http://download.yousendit.com/92C8E0C45887A1B8
I saw that that way (or similar 3 string sweep up and down) in older tabs, but then I've never seen it again like that.