Longinus said:Uhm..
the guy returns to his hometown (or village) after 15 years to get back to melinda.
The Moor is the prologue. Godhead is about him seeing her first. Benighted is probably an ode to her. Moonlapse is an observation of the town. Face of Melinda is about them meeting. SPD is aobut Melinda getting her throat slit (what the hell could 'red line around her neck' indicate?) . Then he goes on a killing spree indeed. Eventually they find and hang him. Only then does he realize that he can be with melinda again (or so I would assume, would make a good twist since the album deals a lot with religion).
Longinus said:Wow, ugly boy strikes back with some japanophile writing
Anyway.. where do you read that they make love? Nothing in the lyrics support this.
I'd assume that in Face of melinda they talk and at sometime split and wnat to meet again next day.
The next day, he finds her dead. Considering the way Mikael writes, he'd still see her dropping on the fground. Maybe they killed her and put her somewhere so that the male protagonist would see her. or maybe just the villagers.
Moonlapse said:I don't think he'd be deformed. I think he's simply just anti-christian and a bit radical in those beliefs, whereas the town are religious zealots, hence why his eloping with Melinda is frowned down upon so harshly.
They wear white for him probably because they see his death as a sort of release for his (now) meaningless life.
Moonlapse said:I think they're just metaphors that he's using to give us a glimpse into the way that the villagers perceive him. 'Fevered blood, ungodly freak, defiler' could well mean that they see him as a demon as a direct result of his heretical beliefs.
You never know though... I just never pictured the protagonist as being physically deformed. Wouldn't make much sense that Melinda would like him then either.