Skinny Viking
¯\(°_o)/¯ How do Lydian?
that still proves Drew's point though .... solid songwriting negates the need for "formula" or, in Opeth's case, image to = success
^ yes but bands like Opeth, Type O, My Dying Bride, etc all managed their rise in popularity by doing the exact opposite as what Sami says
that still proves Drew's point though .... solid songwriting negates the need for "formula" or, in Opeth's case, image to = success
Which I never questioned. Actually that even was my point, too. But I said you have to be REALLY REALLY OUTSTANDING if you want to make complex music and have commercial success with it. Like I said, Akerfeldt is a genius, one of the best contemporary songwriters in metal.
I know, you and I are in agreement on all of it I think ... was just saying that some of the things he (Sami) says shouldn't be said as if they're absolute fact just because he's managed success by following those particular guidelines
Reading "Bravo" or a metal magazin is sadly almost the same hehe
Just did a rough google search and it seems that Opeth are selling less than 1/10th of the amount of records that Type O Negative sold (66000 on Blackwater Park vs over 1000000 on Bloody Kisses). Not that record sales are an indication of quality but they allow greater artistic freedom.
With the 50-75000 records per album Opeth sell I wouldn't be surprised if they still have dayjobs (unless they play shitloads of gigs).
Just cause Drew's songs were badly in need of trimming parts doesn't mean every song should be 3:30mins.
Long tracks are useless if they don't fulfill a purpose. It's like having a 30cm dick with erectile dysfunction and pointing at it saying "... but it's LONG!"
Tbh, I actually don't understand your problem, drew. IIRC you complained about your band not getting enough attention. On the other hand you wanna make the music you want to. Not necessarily a perfect fit if your taste in music isn't mainstream music. So you gotta decide what you wanna have. If you want to be popular, Sami is absolutely right. The few bands you're referring to, which are quite sucessful although they make complex music, are the exception to the rule. And they are because they're so good at it, that their complex songs still feel cohesive. I.e. take Pain of Salvation. What this dudes did back on One Hour By The Concrete Lake and Perfect Element I is OUTSTANDING songwriting, their talent is beyond belief. And although they were that good, they never became that popular. Think about it (and while you do that, have a Snickers).
I've been a huge fan of Type O Negative, who have 9-minute songs, but
thinking that Type O Negative would have made it as big as they did without "Black No. 1" on MTV is a fallacy. The video was absolutely perfect in timing, look and content. They were also on Roadrunner, the most powerful non-major metal label at that time.
Ultimately, my feeling is that music made for a dancefloor or a club situation is not comparable to music made for listening. People do not go to clubs to listen to music. They go to take drugs, get wasted, and dance their tits off. They go for a tribal experience. A bit of a generalization, but in the main it is true.
This totally taps into the current hedonistic Western mindset. People work the dullest office jobs, have families they hate, and have no real passion other than getting fucked and chasing entertainment and fun. Internet culture bears this out, where every fucking funny thing suddenly becomes a meme, and is shared around for idiots to gawk at. It stands to reason that most of these people would rather go to a club and dance, than go to a gig and experience more of a meditative musical journey. This goes past aesthetics. People don't have the patience for prog-rock or metal that has a concept behind it and a story to be told. They just want the four to the floor kick drum with a Micro-fucking-Korg over the top of it.
Maybe that's an over the top representation of the situation. But I'd say the audience for prog-metal, post-metal, cinematic stuff, is way less than there is for dancefloor music ... right off the bat. So acting surprised when those acts aren't as popular, and then going "well you need to work harder, change your songs, and change the way you market yourself!" is not an appropriate response. The same techniques do not work for all types of music.
Everyone has to feel their own way through it.
And I do think Sami makes some interesting points some of the time, I just lament that they're so often shrouded in pompous, self-important, aggrandizement.
Drew not only your songs are long but IMO they have no harmonic change, its like one huge vi-vi-vi-vi-vi song.