yes i mastered it, no there is no obvious clipping. i made it as loud as my clients wanted it, and not a bit more.. in fact probably a bit less. i've already laid out all my feelings about the subject of mastering levels in the previous thread that was pretty much similar to this one, but didn't name specific albums... it's not that old even. to summarize though, it's not my mission to change how loud albums are expected to be.... though i'd prefer them, across the board, to be less loud (or more to the point, less limited and compressed). the only thing i can accomplish by going on such a vendetta is to reduce how often i'm employed. Rather i make my masters as loud as the clients want them, and make sure there is no obvious clipping and that it's listenable... so i disagree with you there; the new AW is very easy to listen to all the way through... check Machine Head's "The Blackening" for one that isn't...
And if you are complaining about having to reach for the volume control, then you don't really want more dynamic mastering at all do you? because that's excactly what you'll have to be doing a LOT of in every situation except for listeing in front of hi-end hi-fidelity speakers, optimally placed in a room with a quiet and excellent acoustic space with an expensive hi-fi system, should mastering return ubiquitously to more a dynamic standard. i'm all for this, but i can afford a nice hi-fi.... and i think most people could get a decent set up for this as well.... nobody really wants to though.
But young AE's on recording forums certainly seem to want to come off like they are the ones that are "championing" less loud masters, like it was their idea or something. tired of all the bitching, DO SOMETHING ABOUT IT... write to labels... send them petitions... change THEIR minds, because that's the only thing that will ever work. Soo tired of the armchair lectures about levels... get in the game before you try to captain a team... you'll find yourself doing exactly as i do, accommodating your clients. Besides.. how dynamic is modern metal really meant to be?? it's come of age after the "loudness wars", so ....?