DanLights
Santa Hat Forever
solphilcox said:i will only mix on cheap/poor speakers. tuned studio monitors just give a distorted perspective of sound to my ears, and every time i have attempted to use adams/genelec/yamaha/KRK/event speakers the mix comes out horrible on actual real speakers. you know, the ones actual people own and use for their music listening enjoyment.
why not mix everything on the speakers that are actually going to be used to listen to the music on??
if you can make it sound good through laptop speakers or an ipod dock, it will sound good anywhere. there is nothing in the world worse than spending hours on a mix only to have it sound like a fart through a macbook, which lets face, is what 90% of people are going to be hearing the final mix through. i never understood the point of high-quality studio monitors that sound 'better' than anything else.... why would you want it to only sound good in your own personal mix environment?
you could say that i just don't 'trust' studio monitors and find the concept esoteric and generally counter-intuitive and misleading for home recording.
a tuned mixing environment is a whole different beast however, not meaning to dog on decade-old professional production methods from the comfort of my garage; i'm just talking about home recording
You are insane and I beg to listen to some of your work. When you make a "good" (cause nothing on those things actually sound good) sounding mix on your shitty speakers, it will sound like absolute horseshit on other places, cause your speakers color the sound and you never really hear the real thing. When you put that mix on professional monitors, all those frequencies you can't hear will pop up and will sound like uncontrolled shit, all the details your super speakers don't reveal will go wild. It's insane, period.