Carcassian said:
Yeah, we can agree about that. I've been listening to "nobody knows anything" a lot recently, and the drumming on that (especially on MOMD) really kills!
I'm a big fan of Ken Owen (Carcass) not necessarily for the technique, but again, for the feeling. I'm also really a big fan of Doc (Vader, RIP) and Bill Wards stuff - great abuse of a simple kit. Junkie John (Gorerotted) is also pretty entertaining to drum...
My fave drumming of all time is on the intro to "No Love Lost (Live)" from "Wake up and smell the carcass", it's actually the intro from one of their earlier songs segued into it!
And yeah man, it's cool...have a beer from me if I was being a dick - it happens (all too often,in my case)!
No, no, it was all me, I'll own up to it!
You're right about Ward! I've heard a cover of Paranoid, maybe, I can't remember exactly, and it made me realise how important Ward is--the cover's drums were so weak!
Charlie's drumming on Nobody Knows is fucking...I don't know what. I've heard somebody say it just wasn't necessary, but so what? The thing is, it isn't overtly pyrotechnical, like Peart can be; I think the rhythm is so unusual. Sure, it isn't necessary for a rock/metal song, but the hell with it; I figure, if you can play something like that, show the world.
The more props Benante gets, the better; everybody talks about Lombardo, for example, from that generation. Charlie is highly underappreciated, it seems to me.
It's amazing how Lars just let his drumming lapse. It's not from lack of playing, as they've been recording and touring, so it must just disinterest, which is worse than lack of ability; I figure you can make up for that with passion.
And speaking of Benante/The Danish cunt, Anthrax' cover of Phantom Lord...need I say more?
