thedelicateflower said:...you would be surprised as to how many people have no common sense...
Magazines, webzines, and record labels are useless. Words on paper don't dictate and express music as the musicians express them to be. They are conveyed by half-assed journalists trying to make a name for themselves. Stories, band bios, and interviews are just the same as to me as with millions of articles written about thousands of other bands out there. It's not the same. It's bland and trite. It's not the same as feeling, hearing, and seeing the band themselves via music or live performances. And trust me, I'm not the only person in the world that discover music by means of obtaining bootlegs.AngraRULES said:Arch...
If you need to find out about more bands, try magazines, webzines, record label websites and stuff like that...
Sorry brother, but the excuse of using bootlegs to find out about bands just doesn't work on my book (Not that I'm making you give an excuse).
Arch said:Magazines, webzines, and record labels are useless. Words on paper don't dictate and express music as the musicians express them to be. They are conveyed by half-assed journalists trying to make a name for themselves. Stories, band bios, and interviews are just the same as to me as with millions of articles written about thousands of other bands out there. It's not the same. It's bland and trite. It's not the same as feeling, hearing, and seeing the band themselves via music or live performances. And trust me, I'm not the only person in the world that discover music by means of obtaining bootlegs.
And kudos to Harvester for being such a vindictive person as to "get even" by banning people on this forum for something not related to this forum. OHH NOESS!! She bootlegged, let's get her back by banning her here on this forum. LOLZ!
I'm not saying that bootlegs is the only way of promoting a band, some methods work well with people and some don't. Certainly not all the bands I discovered are from bootlegs. It doesn't really matter, someone's (probably) poor recording of OL won't cut away any of the profits from selling ProgPower DVDs. Besides, I'm sure as hell people will rip the ProgPower DVD and distribute them online for free on P2P networks.rockyracoon said:pretty much all bands these days have audio samples available on their website. these excuses are really getting bad people.
raiderdeath1 said:In this post I am in no way condoning bootlegging but.......As a music fan I am an owner of many bootleg videos(which I have bought at cd shows). And I am willing to bet many of you are too. If you had a good chance of getting away with video taping a show (even PP!) you would take it.
Even just to show your friends or for personal consumption. Or an opportunity to buy such a video. If someone said " I've got propower on disc for 25 bucks" I'd say hell yeah! Those of you that say you wouldn't are hypocritical liars.
I'm sorry that bootleggers have made the greatest festival in the US a pain in the ASS! for Mr. Harvester. He has made more strict rules this year against video taping and there were more caught than ever. Isn't that a sign. Nothing is going to stop bootlegging. With todays technology it's a losing battle.
No digital photography is no problem with me I have an excellent 35 mil. camera. Next thing you know there will be no extended lenses ala' "Pro-Photography". Where is it going to end?
You can flame me all you want. But those are my feelings on this subject.
enki3600 said:I've done my share of bootleg viewing/listening in the past and was so underenthused by it that any 'addictive' tendency was never borne, so now it just becomes a moot point for opinionated debate![]()
AngraRULES said:Believe me, as an insider I guarantee you that people that talk about bands, ESPECIALLY UNDERGROUND METAL ONES are not trying to make a name for themselves.
freakchylde said:Fact is, Glenn said no taping. End of story. You don't like it, don't bitch when you're caught and have your ass thrown out on the curb. You want memories of the concert, take pictures.