I think we are missing some obvious questions here.
#1 - How far were the over head mics from the kit
#2 - What kind of room were they recorded in
#3 - What mics were used
If there is that much Room in the overheads they were WAYY too far from the kit. Only way to cure that is high pass the shit out of them so all you have is the shine.
Next I agree with drew the guitars are WAYYY too loud. When I mix I try to get my peaks at around - 6, so thats the kicks and snares, guitars are generally 6 to 9 DB lower, bass around the same. But I always mix kinda drum heavy. Of course no set rules, but this is just general. I try to get my pal mutes on their own sitting about -9, I feel this allows the kit to breathe more. Like I said no hard fast rules but just a general idea, kick and snare are the loudest things in my mixes usually and then vocals, guitars, bass in that order.
Get a frequency analyzer and look at each individual instrument and see where they are sitting in the frequency spectrum, of your kicks or bass have sum 20hz in them you need to high pass them to get more headroom. Guitars should be HP around 150 or so depending on the tuning. Same with snare, toms, and room mics. Ohs I usually do between 150 and 500 depending on the mic, cymbals used, and the room it was recorded in. The brighter the room the lower I pass.
I also tend to get get the bass really scooped between 80 and 900hz, no low mid's at all, all sub 20hz cut out, and all the low mids scooped out. 1k and up for some spank on top to give the notes definition.