Well, take that, for example. Damage set a heavier tone than Haven and everything before it had, and it relies more on fast riffs and somewhat more direct lyrics (compare that to their previous albums, which relied more on complex song structure and heavily metaphorical lyrics), and Character just followed in the same vein.tunaman said:dd was heavier than the previous albums and character preceed to be heavier than dd.
I would totally agree if DT hadn't released Character, but a lot of songs on it sound similar to each other and almost all are political and social commentary (while the songs on the other albums are all about different things). It's like Mikael wrote one or two songs for Character, ran out of things to write and decided to use different words to express the same ideas another nine or ten times.tunaman said:i have concluded one of the things that makes dt great too me is that every one of their albums has it's own sound and depending on my mood i'll listen to a certain one. also, every one of their songs are always different. they don't simply regurgiatate material.
Precisely. Again, each album is different from the others in several ways, one of which is the style/instruments. For instance, Skydancer was both more melodic and more brutal than their later work, while The gallery had simpler/shorter songs (and definitely heavier ones) but (imo) better lyrics. TMI is a kind of transition from The Gallery's heaviness and Projector's "mellowness", and Projector was full-blown melodic "soft" (in compared to other DT albums; sure, there's a couple of "heavy" songs, but you know what i mean) metal with clean vocals for the first time (if you don't count Through ebony archways), the most drastic change from one album to the next in DT's history. Then Haven was another radical change with the electronics and all, but it still kept some of Projector's "softness" and one song with clean vocals so as to not be a complete change. Damage, as i mentioned above, set an even heavier and faster pace and geared down in electronics and up in guitars/bass. But Character fails to offer us any real change from the previous album. Sure, maybe they integrate the electronics better, as you say, but it's not really something new.tunaman said:damage done was great, they stepped up the electronics in a good way, alot the material (riffs/electronics) were pretty emotional and a very broad and different sound for every song; but you can always tell it's dt.
DT have always composed their songs with great technicality, detail and dedication. More aggressive doesn't necessarily mean more technical or better. It just means DT failed to come up with an idea for their new album and instead chose to follow in the vein of Damage, only going more "extreme" (heavier, faster, more brutal).tunaman said:character still has to be their best work yet. you can tell that they felt the need to step up the technicality, integrate the electronics into the riffs even better, and stanne's style was much more agressive and suited the new sound perfect. all of the songs are composed with great deatail in their arrangements and riffs etc., and the artwork is great as well as the lyrics.
I disagree (i find most song titles on Character to be way below DT standards), but that's just a matter of opinion, so i won't indulge in that.tunaman said:song titles are interesting like any other dt album.
Yes.tunaman said:the great thing about charcter is you realize as soon as the new build starts playing and into the preceeding tracks that dt has actually written an album that is much more heavy
No. Haven, TMI and Projector are way more technical than Character (unless by 'technical' you mean 'techy', but i don't think that's the case; correct me if i'm wrong).tunaman said:and technical.
I think we all agree that DT is a great band and that their stuff is mostly way above most other bands and seldom bores DT fans.tunaman said:usually bands do the opposite when they release a new album. especially if they've been around a long time. just because i think character is heavy and to me is their best work so far doesn't mean i don't like their previous works such as projector or haven. i love dt because i don't get bored with the broad spectrum of material they have written.
In that case, i agree that they were able to write more "technical" (i.e. complicated, by your definition) guitar riffs on Character than on Damage done (but not more "technical" than on The gallery or TMI). But, to quote marduk, who put it better than i would have been able to, all the riffs seem to blend into one (into one uniform mass of heaviness with no real distinction between songs except at the end, i would add). For instance, on Haven there's something on each and every song that makes it totally different from every other song and makes it stand out from the rest of the album. Each song is a new offering. The same goes with TMI and, to a lesser degree, with Projector and The gallery. On Damage you can still find such elements if you look hard enough (Hours passed in exile, Freecard, Single part of two, Ex nihilo, Format C: for cortex, even Cathode ray sunshine and The enemy), but on Character it's almost completely lost. Towards the end we have Am i 1? and My negation, which strikingly stand out from the rest of the album and are both brilliant (the most brilliant songs on that album, i'd say), but the other nine songs do what marduk said about blending.tunaman said:undocontrol - i believe you have very good points to make. and perhaps my definition of "technical" is different than yours. too me technical means you can write and play complicated riffs and execute them live. same thing with drumming bass or keyboard. and on character i believe it was specifically guitars and drums that became more technical. your version of "technical" which means to you being able to write more complex songs is what i call composing. being able to write comlex song arrangements.
Unless they can come up with something exceptionally brilliant and totally different from Character and Damage done, i'd say another growling-only album would be too much. I say Mikael's throat needs a break.tunaman said:but although i like the clean vocals on projector and haven i'd like to continue the agressive growl style stanne chose for character.
UndoControl said:In that case, i agree that they were able to write more "technical" (i.e. complicated, by your definition) guitar riffs on Character than on Damage done (but not more "technical" than on The gallery or TMI). But, to quote marduk, who put it better than i would have been able to, all the riffs seem to blend into one (into one uniform mass of heaviness with no real distinction between songs except at the end, i would add). For instance, on Haven there's something on each and every song that makes it totally different from every other song and makes it stand out from the rest of the album. Each song is a new offering. The same goes with TMI and, to a lesser degree, with Projector and The gallery. On Damage you can still find such elements if you look hard enough (Hours passed in exile, Freecard, Single part of two, Ex nihilo, Format C: for cortex, even Cathode ray sunshine and The enemy), but on Character it's almost completely lost. Towards the end we have Am i 1? and My negation, which strikingly stand out from the rest of the album and are both brilliant (the most brilliant songs on that album, i'd say), but the other nine songs do what marduk said about blending.
true, i actually agree with what you're saying, i too believe am i and my negation do stand out from character. it's true for most of the material it is a more uniform heavy sound, but i disagree that the songs arn't themselves different at all from one another. however i do see your point that they do run into eachother more than other dt albums. i also agree that damage done had a very great variety of songs. but on haven i'd have to disagree. not built too last, ego drama, rundown, emptier still, and the loss for words while being great songs that i can listen to over and over do sound closely releated like the material on character.
Unless they can come up with something exceptionally brilliant and totally different from Character and Damage done, i'd say another growling-only album would be too much. I say Mikael's throat needs a break.
UndoControl said:In that case, i agree that they were able to write more "technical" (i.e. complicated, by your definition) guitar riffs on Character than on Damage done (but not more "technical" than on The gallery or TMI). But, to quote marduk, who put it better than i would have been able to, all the riffs seem to blend into one (into one uniform mass of heaviness with no real distinction between songs except at the end, i would add). For instance, on Haven there's something on each and every song that makes it totally different from every other song and makes it stand out from the rest of the album. Each song is a new offering. The same goes with TMI and, to a lesser degree, with Projector and The gallery. On Damage you can still find such elements if you look hard enough (Hours passed in exile, Freecard, Single part of two, Ex nihilo, Format C: for cortex, even Cathode ray sunshine and The enemy), but on Character it's almost completely lost. Towards the end we have Am i 1? and My negation, which strikingly stand out from the rest of the album and are both brilliant (the most brilliant songs on that album, i'd say), but the other nine songs do what marduk said about blending.
Unless they can come up with something exceptionally brilliant and totally different from Character and Damage done, i'd say another growling-only album would be too much. I say Mikael's throat needs a break.
What? Had you said that NBTL is more or less similar to The wonders, then i would have more or less agreed. But Ego drama is the "softest" song on Haven (not counting Emptier still, which, by the way, i believe, is the one song which stands out the most from Haven). Rundown is the exact opposite: the "hardest" song on Haven. I really don't see how you can say that Emptier still, Ego drama and Rundown sound the same to you, but i guess you're seeing something i'm not. Finally, At loss is more or less similar to My negation in a way, but i don't think it's similar to any other Haven song.tunaman said:not built too last, ego drama, rundown, emptier still, and the loss for words while being great songs that i can listen to over and over do sound closely releated like the material on character.
I totally agree here.tunaman said:if they did clean vocals and did it tastefully i wouldn't mind at all. i wouldn't say that they had sold out or did it for the fans. however i loved the agressive style from character and would like to see it carried over. now it depends on what the instrumental material sounds like on their next album. if they change their tempo and slow things down and do alot of clean guitar work or more emotional keyboard work then the stanne's style from character wouldn't work right because character was heavy and fast paced.
We used to have these back when i joined (october 2005), and they probably had them before that. Lately, however, things seem to be a bit lazy/quiet here.tunaman said:and by the way, i think this is a great discussion. i know i'm new to the board but we should get some more specific discussions going some time. i'd consider myself a dt geek and love to disect specific things about their music.
It's probably a matter of personal taste, but i strongly disagree with you. The sound of electronics on Haven sometimes puts me off, while i simply love them on Character.UndoControl said:The electronics are way better in Haven than on Character
Siren said:It's probably a matter of personal taste, but i strongly disagree with you. The sound of electronics on Haven sometimes puts me off, while i simply love them on Character.