Well it's been a struggle, as I'm sure it is for anyone micing an amp to find the balance between amp settings and mic position. I've been experimenting with mic positions and I think I finally found one I'm really into. I think the amp settings complement it as well. If I adjust the settings at all, I'll probably lower the mids, but other than that I'm happy.
It's a really lame chord progression with my Les Paul, but like I said it was just a test. No boost or anything, straight in...gain was on 3, post on 3.5. I think I finally captured the sound of the amp accurately. I can't wait to get my fathead ribbon and to experiment with that.
http://www.netmusicians.org/files/100-DoubleTrackedHiPass.mp3
The palm mutes aren't very tight, but that is due to the low gain and no tubescreamer.
Let me know what you think. It has just a touch of high pass to tame the boomy low end.
-Joe
It's a really lame chord progression with my Les Paul, but like I said it was just a test. No boost or anything, straight in...gain was on 3, post on 3.5. I think I finally captured the sound of the amp accurately. I can't wait to get my fathead ribbon and to experiment with that.
http://www.netmusicians.org/files/100-DoubleTrackedHiPass.mp3
The palm mutes aren't very tight, but that is due to the low gain and no tubescreamer.
Let me know what you think. It has just a touch of high pass to tame the boomy low end.
-Joe