Killermik said:
I wonder how they could actually define that.
We can say that, on this forum, we are the most hardcore fan, and almost none of us is happy with Final Resistance beeing played.
Well, Martin B said that for
PMH, but maybe the story with
FR is what Mikael said. They should get rid of both songs, in my opinion, but i guess they never will.
PaganThunder said:
i really hope we get Format C for Cortex and Monochromatic Stains
Didn't they use to play those in 2002? I don't think they'll play them now, but good luck.
Judith said:
I guess thats why they dont do a big tour as headliners
My guess is that most of the bands they tour with are more famous than them.
Judith said:
it is sad that they are not recognised as I think they should be...
But that keeps them from going commercial.
Villain said:
I think it is a great live-song (although I don't like it much on the album) and certainly prefer them closing their setlists with it, instead of some weaker songs like At Loss for Words.
But that's just because you don't like
ALFW.
Still, even if you don't like that one, there are other great closers, such as
Ex nihilo and
The mind's eye (but they'll never do those because they're instrumentals
),
...Of melancholy burning and
Not built to last.
Villain said:
The thing is, even the most hardcore DT-fans can't agree on which songs are the best.
Please do define 'hardcore'.
Villain said:
Also, many songs that sound great on the album might not work too well in live situations. Auctioned, I'm afraid, is one of those songs - it would really slow down the gig too much.
They played that in Osaka once, and i found it to be very effective (and it was either right before or right after
Misery in me, which was also a great move in my opinion).
Villain said:
Now, the usual DT setlist is aimed at those who haven't seen them live that often. Which means that they must play all the classics or people are disappointed.
The problem is that songs like
PMH (and i hope it never happens to
Lethe, but it's on a good way to getting there too) have been played so much that they have stopped being classics and become really boring three-to-five-minute moments. Also, what happened to older classics, like
Of chaos and
Nightfall? Hell, they could play all the songs on
Skydancer for all i care, even if that's my least-favorite album by them; at least it would break with the stuff they always play.
Kov said:
They play (or played, i don't know if they still do it) that every single time.
Judith said:
For Lethe, I would like them to play the intro on the bass... it sounds great with the keyboard too, but I prefer it with the bass...
I like the keyboard version better.
But they
should play it with bass now and then, and they should play the beginning of
Insanity's...
Makaan said:
or do they do it so Brandstrom gets something to da?
Brandstrom gets
a lot of stuff to do. He always plays a solo intro to the first song on the list (regardless of which song that is), and a lot of songs have great keyboard parts. Honestly (and surprisingly, at least to me), DT is probably the only band (or one of the really-few bands) to give such an important role to the keyboard player instead of letting the guitar player(s) do everything.