I made a May Fire snare in my nashville snare series. It wasn't that hard, just takes a woody snare, a ringy snare, and intense compression understanding. Lots of the tone is room.
Need a shower after reading this thread. I almost can't believe at times that this is an engineering board.
blend a gunshot with your snares (tune it to your top). Problem solved
Need a shower after reading this thread. I almost can't believe at times that this is an engineering board.
A bit off topic, but do you guys find yourselves mic'ing toms like that? With the mic pointing down at the outer edge of the drum? Normally my tom mic's are placed more like how the snare mic is, quite flat and pointing more across the drum in order to get a nice amount of stick attack.
I know I've seen Romesh doing similar placement on his toms so thinking I should give it a go.
I go for 45 degrees-ish aimed center. With that kit you could get away with whatever, but my main concern is bleed. Whatever extra stick attack I get from aiming across is irrelevant if it means I get a ton of some other piece mucking up the tone.I find myself doing it like that tbh. Pull them back more than I used to these days, as well. with MD421 that placement is particularly important but even on my D2/D4/D6's on toms I like them towards the edge.
Come on.. you yourself use drum samples in every mix
lol at the splice at :59
Just to clarify this, the samples available on his site are samples he recorded then blended with slate samples and rooms. He mixes and rebrands slate stuff all the time. Also, this drum sound sucks and is stupid easily achievable, all you're liking is the compression and room impulses. Just get a solid snare track, throw hard samples of the real snare with one shots, compress pretty hard on the sample tracks, then throw a slate room on there and a room IR.... Then quit engineering because you wanted to emulate a Chango drum sound.
Just to clarify this, the samples available on his site are samples he recorded then blended with slate samples and rooms. He mixes and rebrands slate stuff all the time. Also, this drum sound sucks and is stupid easily achievable, all you're liking is the compression and room impulses. Just get a solid snare track, throw hard samples of the real snare with one shots, compress pretty hard on the sample tracks, then throw a slate room on there and a room IR.... Then quit engineering because you wanted to emulate a Chango drum sound.
blend a gunshot with your snares (tune it to your top). Problem solved