I wish I usually knew the answer to this question before waking up on the floor and finding out secondhand about something I previously considered banned by physics...
Marcus my only comment after reading all that is this ...
you're too fuckin nice sometimes Its cool to keep your cool but once in a while you should unleash the fuckin fury on asshats like that. What would Jbroll do?
Haha, well I've always been the laid-back type, what can I say - he can go on and on, but it's a fucking forum, so it's really not worth getting too worked up about! (and more importantly, if I do, then he's won, because I've let him get to me and get me angry, which gives him power over me)
I wish I usually knew the answer to this question before waking up on the floor and finding out secondhand about something I previously considered banned by physics...
No doubt this board is gonna be found if ever someone tries to google the physics of metal. And I do not mean the genre. I feel subliminally brainwashed at times
Thanks, and yeah, I've really decided all that gain is mandatory for the sound I love - for awhile I did the whole "the absolute minimum amount of gain necessary or your a n00b!!!!" approach, but I just can't get enough of the roar totally saturated guitars have; this tone actually was what really sealed the deal for me!
It's not even my favorite tone character-wise (too far from the dustcap and too metallic), but the roar of those guitars with all that gain, FFFFFFFFFFFUUUUUUUUUUUUUUUUUUU Of course, there's still such a thing as too much, but the way that works for me is to palm mute the open A-string (well, it's not actually an A since I'm in C-standard, but I still call it the A-string to minimize confusion ) and turn the gain up until that wonderful saturated fizz really comes in to add sustain beyond the initial attack