Since we're back on the subject of Liturgy, thought it might be appropriate to address this...
(again, whether you hate Liturgy or not, and whether the music is any good or not, it is new and creative).
I spent a good amount of time and energy over the past couple years trying to defend Liturgy on their musical merits alone, because I give Velvet Cacoon, Leviathan and Burzum the same courtesy. Here's the best I could come up with.
One of the things that's irritating about HHH relates to what Guy (Addo) mentioned in the above post - he has only encountered black metal on the surface level. Because of this, the fellow is unaware of multitudes of bands who have captured a similar ecstatic, weightless atmosphere... and these bands preceded Liturgy by a decade or two on some counts. Are we to dismiss the majesty of albums the like of
Om,
V: Havitetty,
1184,
Frost, and
Blood in Our Wells? We must do so in order to lend credence to this so-called "Transcendental Black Metal" of the eponymous manifesto.
The other facet of Henry's argument that grinds my gears is that the second wave Norwegian bands that he stands in opposition toward knew how to write an entire album's worth of material in a cohesive manner, minimizing the frill of extended transitions and noise sections.
Aesthethica has 3 or 4 standout tracks, and don't get me wrong, they are very good. "Returner" is welcome in a number of playlists I might assemble. However, as an entire album, Liturgy's hallmark release is weak, unfocused and tedious. It's written like a pop album with some hit singles instead of a metal album that's rewarding from start to finish.
... But yeah, GMD has already discussed the band at length. No need to beat a dead horse.